Συλλέκτης ροής

Adorable tiny RV pushes kei-style micro-camping West ... with a catch

Gizmag news -

Every time we've come across a vehicle from German tiny EV builder Ari Motors, we can't help but wonder if there's a camper version. For a while, the answer was a straight "No," but this month that all changes as the company releases what it's calling the smallest motorhome in Germany. While the Elektro Frosch and Spacecamper Bike might argue that point, Ari's 458 Pro Campervan is the type of tiny, adorable camping car you usually have to travel to Japan or South Korea to see, only now available in Europe. But there's also a series of major drawbacks lurking within the impossibly cute little e-RV.

Continue Reading

Category: RVs and Motorhomes, Adventure Vehicles, Outdoors

Tags: , , , , , ,

Science says: Torpedo bat no better than regular baseball bat

Gizmag news -

During Major League Baseball's (MLB) opening season in 2025, the New York Yankees hit a team-record nine home runs in a single game. Six of those homers came from players using a unique bowling-pin-shaped bat known as a torpedo bat.

Continue Reading

Category: Sports, Consumer Tech, Technology

Tags: , , , ,

Titanium utensil may look like a simple spork, but it packs 10 functions

Gizmag news -

Whether you’re camping for a few days, doing a day hike, or heading out for a weekend trek, the same rule always applies equally: pack light, carry less. That’s why multifunctional tools are so appealing when it comes to outdoor adventures. EaTi One, currently available for pledging on Kickstarter, at first glance looks just like a regular spork, but it actually combines 10 tools in one small unit.

Continue Reading

Category: Knives and Multitools, Gear, Outdoors

Tags: , , , ,

The Nikon ZR has a few video quality surprises

Digital Photography Review news -

When you use DPReview links to buy products, the site may earn a commission. Photo: Mitchell Clark

We're finishing up our review of the Nikon ZR, the company's video-focused camera with the same 26MP partially stacked full-frame sensor found in the Z6III, and, as part of our testing, have put it in front of our studio test scene. We've captured a load of video stills to test out the camera's many, many video modes.

Image ComparisonThis widget is not optimized for RSS feed readers. Click here to open it in a new browser window / tab.

As with the Z6III, the ZR's compressed footage is very detailed in both 4K and 5.4K. However, Nikon has clearly changed how it processes this footage, and it appears to be applying less, or more subtle, sharpening than the Z6III.

Compared to hybrid stills/video cameras , the ZR has similar levels of detail to the similar pixel-count Panasonic S1II, as well as to the Canon EOS R6 III's oversampled 4K mode. However, the Canon's 7K open gate footage provides much more detail than the ZR's 5.4K capture, though it will take up more storage and has to be edited before delivery. The highest-resolution footage you can get from the ZR offers more detail than the Sony a7 V's oversampled 4K footage. That also initially appears to be the case if you compare the cameras' 4K output, but the ZR's has more aliasing, so it's not necessarily a better representation of the scene. It's also worth noting that the ZR comes in at a substantially lower price point than those cameras (though with a corresponding decrease in stills capabilities).

While bumping up to 60p doesn't come with a cost to field of view or detail, if you want to shoot in 120p, the camera will have to crop down to an APS-C region of the sensor. This results in less detail being captured, though it's the same amount as captured by the APS-C 24p mode.

Three flavors of Raw

The Nikon ZR supports internal Raw recording to three different formats: N-Raw, ProRes Raw, and R3D NE, a format currently unique to it. They all have the common caveats associated with Raw recording – using it will require post-processing (often using specific editing software), and the difference between Raw and Log isn't anything like as great as the difference between Raw and JPEG for stills – but for those that need it, it's available.

As you'd expect, the ZR's three flavors of Raw capture comparable amounts of detail at their 6K settings, though their default LUTs offer fairly different foundations to build your own grade on. Despite the similar image quality each version of Raw offers, there are substantial differences between what it's like to shoot them; we'll be posting an article comparing the three formats very soon.

Noise reduction

Some ZR users, including cinematographer and YouTuber Philip Bloom, have noticed that the ZR appears to have more heavy-handed noise reduction than the Z6III, resulting in a softer image when shooting H.265 with the standard or N-Log response curves. While our single-frame test doesn't show that the ZR's H.265 mode captures noticeably less detail than the Z6III's (though there is decidedly less sharpening), we wouldn't be surprised if Nikon decided to increase noise reduction for the ZR, given the controversy that the Z6III gathered for having relatively noisy and sometimes flickering shadows when shooting Log. The sensor shared by these two cameras has relatively high noise in the deep shadows that Log-shooting exploits, so we suspect Nikon may be trying to compensate for that.

We plan on taking a closer look at the Z6III's footage versus the ZR's soon.

During our testing, we've shot various projects with the ZR and have been pleased with the footage we've got from it. Our test scene doesn't turn up any major surprises with regard to its image quality, but does reinforce the idea that shooting Raw with this camera will take some careful consideration when it comes to picking which format is the best for your particular usage.

Analog April: The challenge your film camera has been waiting for

Digital Photography Review news -

Years ago, while wandering around a summer carnival at night, I spotted this sea of sunglasses-wearing rubber ducks at one of the game booths. I don't recall the specific game, but that solid block of yellow was impossible to ignore. I captured this photo using Ektachrome 100VS slide film.
Photo: Dale Baskin

Our April Editor's photo challenge theme is "Film Photography."

This month, we're returning to the analog roots of photography. The challenge is simple: show us your best photos shot on film. Any era, any format, any subject. Color or black and white. It's all fair game as long as it's an authentic film capture. If you can remember, please let us know which film stock you used! Our favorites will be featured on the DPReview homepage later this month!

This challenge is about the look of film, so please keep post-processing to a minimum. Technical corrections for scanning or color balancing aged film are welcome. We reserve the right to disqualify entries that appear over-processed.

Photos can be submitted between Sunday, April 12, and Saturday, April 18 (GMT). The challenge is open to photos captured at any time.

Important: Images MUST include a title and a caption of at least 25 words to be eligible. We need to be able to share the story behind your photo. We will consider both photos and captions when selecting our winners, so make sure to tell us that story!

Visit the challenge page to read the full rules and prepare to submit your photos for consideration when the challenge opens.

Visit the challenge page to see the full rules

Homemade solar drone smashes endurance record with 5+ hours aloft

Gizmag news -

Luke Bell and his father Mike have done it again. Their new solar-powered drone – running on sunlight and almost nothing else – just claimed an unofficial endurance record for electric multirotors, flying for 5 hours, 2 minutes, and 21 seconds before Luke simply got tired and landed it.

Continue Reading

Category: Drones, Consumer Tech, Technology

Tags: , ,

Mini quantum battery charges a million times faster than it discharges

Gizmag news -

What comes to mind when you imagine fast charging? Smartphones going from zero to 100% in minutes? Or perhaps, EVs gaining 60 miles worth of charge in under an hour? Scientists have created a proof-of-concept quantum battery that charges one million times faster than it discharges … using a laser.

Continue Reading

Category: Energy, Engineering

Tags: , ,

Why niche cameras are the future of photography

Digital Photography Review news -

2025's camera launches offered up a strange mixture of obvious updates and left-field oddities, leading into the quietest spring launch season we've ever experienced.

Now that Abby and Mitchell are back from CP+ and we've heard what the manufacturers are saying, we sat down to see if we can make sense of what the tea leaves tell us. Richard has been musing on the cameras that have and, notably, haven't been announced, and has some ideas about the trends and directions they may foretell.

Join us as we mull over the things we've seen and the things manufacturers have told us, as we try to make sense of the new camera landscape, and what it might mean for your next camera.

Opinion: Why the future of cameras looks nothing like the past.

The first images from the Artemis II crew are utterly stunning

Digital Photography Review news -

art002e000192 (April 3, 2026) - A view of Earth taken by NASA astronaut and Artemis II Commander Reid Wiseman from one of the Orion spacecraft's window after completing the translunar injection burn on April 2, 2026. The image features two auroras (top right and bottom left) and zodiacal light (bottom right) is visible as the Earth eclipses the Sun.

Nikon D5 | Nikon AF-S Nikkor 14-24mm F2.8G ED | 22mm | F4.0 | 1/4 sec | ISO 51,200

Photo: Reid Wiseman / NASA

On April 1, NASA successfully launched Artemis II, sending four astronauts to orbit the moon and marking the first crewed mission of NASA’s Artemis program. There have already been plenty of incredible images of the launch shared, but now, NASA has shared the first images taken by the crew aboard Orion.

The two images were taken by Artemis II Commander Reid Wiseman from the spacecraft's window. The photograph of Earth seen above is a truly remarkable view of our planet. You can make out two auroras at the top and bottom, and glowing zodiacal light on the bottom right; it's a special scene that was very well captured.

The second image includes a sliver of Earth as well as a portion of the spacecraft's window. It offers a sense of what these astronauts saw in the moment, which is pretty special in my opinion. I know I will never find myself on a spacecraft, but having a photo that lets me see what they see, at least in a small way, is really fun.

art002e000191 (April 3, 2026) - A view of Earth taken by NASA astronaut and Artemis II commander Reid Wiseman from one of the Orion spacecraft's four main windows after completing the translunar injection burn on April 2, 2026.

Nikon D5 | Nikon AF Nikkor 35mm F2D | F20 | 1/250 sec | ISO 250

Photo: Reid Wiseman / NASA

Commander Wiseman took both images after the maneuver that propels Orion around low Earth orbit, towards the Moon and, eventually, back home. All of the EXIF data is stored with the images, which is also neat to see. He took both photographs with a Nikon D5. For lenses, he used Nikon's 14-24mm F2.8 lens for the image at the top of the article and a 35mm F2 for the window image above.

art002e000180 (April 1, 2026) - This black and white image of Earth was captured by the optical navigation sensor on the exterior of the Orion spacecraft on the first day of the Artemis II mission, as the four astronauts inside were traveling farther than any humans have ventured in more than 50 years.

Photo: NASA

In addition to the two images taken by Commander Wiseman, NASA also shared a photograph taken by the optical navigation sensor on the exterior of the Orion spacecraft. The black and white shot is certainly dramatic, and shows just how capable some of the exterior cameras are as well.

With this kicking things off, we can't wait to see more from the Artemis II crew as they continue on their mission.

If you're curious to learn a bit more about what goes into being a photographer while in space, check out our 2019 interview with Colonel Terry Virts (ret.), a U.S. Air Force pilot and NASA veteran of two spaceflights. Colonel Virts shared some really interesting insights, such as the unique challenges that space poses for gear (radiation is not good for chips) and how cameras are picked for missions.

Click here to read the interview

Σελίδες

Subscribe to ΠΛΗΡΟΦΟΡΙΚΗ συλλέκτης