At this stage of the robotics race, it's probably fair to assume that a few of us have a bit of humanoid malaise. After all, we've seen more funny videos of robots dropping plates out of dishwashers and taking 10 minutes to open and close a refrigerator door. And let's not even mention them trying to cook or play soccer.

Continue Reading

Category: AI and Humanoids, Technology

Tags: DroidUp, Humanoid, Robots, Evolution, Uncanny valley, Virtual Reality, Artificial Intelligence, Artificial Muscles

Those car door handles that blend into the exterior door panel for a sleek look might soon be a thing of the past – and China's taking the lead in outlawing them.

Continue Reading

Category: Automotive, Transport

Tags: Safety, Electric Vehicles, Door handles

The gray colorscheme, 30th Anniversary logo, 'diamond' knurling on the control ring around the lens and the price set the Anniversary edition apart from the standard G7 X III.

Image: Canon

Canon is celebrating the 30th anniversary of its PowerShot line of compact cameras with a premium-priced special edition of its hard-to-find G7 X Mark III enthusiast compact.

It features a gray top plate and different knurling on the control ring, along with 30th Anniversary branding on the flash. Other than that, it's identical to the standard G7 X Mark III that's reliably unavailable.

As such it has a 24-100mm equiv. F1.8-2.8 lens in front of a 20MP Type 1 (13.2 x 8.8mm) Stacked CMOS sensor. It also has a clicking control dial around the lens, a dedicated exposure comp dial and a rear screen that flips 90 degrees down and 180 degrees upward, helping it become something of a TikTok favourite, as well as being an excellent enthusiast compact.

Canon North America will also provide a leather PeakDesign wrist strap with the 30th Anniversary logo but this isn't included in all markets.

The Anniversary Edition is described as a limited edition, but the extent of its availability has not been disclosed.

Image: Canon

Canon refers to it as a "limited edition" but declined to specify how many units the edition is limited to. Canon North America told us it will run a lottery for people wanting to buy them from its own website but it'll be left up to retailers to decide how to allocate the units they get into stock.

The special edition G7 X Mark III will be available from April 2026 in unspecified numbers at a cost of $1295. This is a $420 premium over the regular version that isn't formally limited. A company spokesperson said that supply constraints on the standard version "should get better, later in the year."

In the UK, the special edition will cost £860, only a £40 increase over the cost over the standard model. Though you don't get the custom wrist strap. It will go on sale on April 23rd.

European outlets are reporting that the Anniversary edition and all G7 X III's will move over from the NB-13L battery to a new unit called the NB-15L. Batteries with the new designation differ only in that they won't attempt to charge if they've been over-discharged, as a safety feature.

Limited Edition PowerShot G7 X Mark III Camera Available

MELVILLE, N.Y., February 4, 2026 - Canon U.S.A., Inc., a leader in digital imaging solutions, today announced that its parent company, Canon Inc. celebrates that 2026 marks the 30 year anniversary of Canon's PowerShot compact digital camera. To commemorate this anniversary, a limited edition PowerShot G7 X Mark III camera with a limited color body design and 30 year anniversary logo is currently scheduled to be released in April 2026.

Since the launch of the original PowerShot 600 in July 1996, PowerShot has expanded its lineup to meet the diverse needs of its users. The PowerShot line, which was developed with the aim of making it easy for users to enjoy high-quality still images and video, is popular among a wide range of users, from camera beginners to amateurs, and as of February 20261 over 200 PowerShot cameras in the Americas have been released.

Currently, Canon offers a wide range of products tailored to each user's lifestyle, including the G Series, which combines a compact, lightweight body with high image quality and multiple functions, the V Series, which allows users to enjoy full-fledged video recording with ease, and the SX Series, which offers high-magnification zoom.

Canon will continue to contribute to the further development of photographic and imaging culture by pursuing advanced technologies and high expressivity in response to user needs within the PowerShot line.

To celebrate 30 years of PowerShot cameras, a limited edition version of the PowerShot G7 X Mark III camera is scheduled to be available later this year. The 1.0 inch PowerShot G7 X Mark III is a compact digital camera featuring a stacked CMOS sensor with approximately 20.1 million effective pixels2 and a large aperture and bright 4.2 x optical zoom lens for versatile video expression. In addition to still image capture, the "Video Blog" mode, which is specialized for Vlog shooting, enables comfortable video capture. This limited edition model uses a unique color "graphite" for the camera body and the front ring has a diamond knurling to create a design that combines luxury and quality. In addition, the 30 year anniversary logo is printed on the body to create a special feeling suitable for limited edition models.

The PowerShot G7 X Mark III Graphite Kit - PowerShot 30th Anniversary Limited Edition Camera, which will be available with a Limited Edition Peak Design Cuff Wrist Strap and a 32GB SD card, is currently scheduled to be available in April 2026 for an estimated retail price of $1,299.003. For more information about Canon's latest innovations and products, please visit www.usa.canon.com

Product name

PowerShot 600

July 1996

PowerShot A5

April 1998

PowerShot Pro70

November 1998

PowerShot S10

October 1999

PowerShot G1

October 2000

PowerShot S100 DIGITAL ELPH

May 2000

PowerShot SD100

May 2003

PowerShot TX1

March 2007

PowerShot SX100 IS

October 2007

PowerShot E1

September 2008

PowerShot D10

May 2009

PowerShot N

April 2013

PowerShot V10

June 2023

1 Number of models in the United States of America.
2 The total number of pixels is approximately 20.9 million.
3 Pricing, specifications and availability are subject to change without notice. Actual prices are set by individual dealers and may vary.

• JPEG (Exif v2.3)
• Raw (Canon CR3)

• Contrast Detect (sensor)
• Multi-area
• Center
• Selective single-point
• Tracking
• Single
• Continuous
• Touch
• Face Detection
• Live View

• Program
• Shutter priority
• Aperture priority
• Manual

• Self Portrait
• Portrait
• Panning
• Star Portrait
• Star Nightscape
• Star Trails
• Star Time-Lapse Movie
• Handheld Night Scene
• High Dynamic Range
• Fireworks
• Standard Movie
• Short Clip
• Manual Movie
• Time-Lapse Movie
• iFrame Movie

• Single
• Continuous
• Self-timer

• Multi
• Center-weighted
• Spot

• 3840 x 2160 @ 30p, H.264
• 1920 x 1080 @ 120p, H.264
• 1920 x 1080 @ 60p, H.264
• 1920 x 1080 @ 30p, H.264

Canon has announced the 14mm F1.4 VCM L, the latest in its family of similarly-sized F1.4 lenses designed for shooting both stills and videos. With the exception of the company's "Dual" lenses designed for VR, this becomes Canon's widest-angle prime for RF mount.

The lens is made up of 18 elements in 13 groups, with a litany of special glass and coatings: there's a fluorite lens, a UD lens, a Blue Refractive "BR" optical element for correcting chromatic aberration, and three glass-molded aspheric elements, as well as a fluorine coating for anti-fouling and the company's SWC and ASC coating for reducing flare, ghosting and reflections. It can focus on subjects as close as 0.24m (9.4") away, providing up to 0.11x magnification.

Physically, the lens is a similar weight to the rest of Canon's VCM lenses, coming in at 578g (20.4oz). At 112mm (4.4") long, it'll stick out a touch further from the camera than the others, though that's primarily down to its integrated lens hood. Speaking of, the front element is slightly bulbous, meaning the lens can't be used with filters that screw on to the front. It does, however, have a holder for pre-cut gelatin filters on the back of its mount. A special lens cap that clips on is included.

The 14mm F1.4 VCM accepts gelatin filters at the back of the lens. There doesn't appear to be room behind the optics to use the slot-in filter modules used on the co-announced 7-14mm L fisheye lens.

Image: Canon

It has plenty of controls and switches, including a customizable function button, a manual / auto focus switch, Canon's control ring and an (unfortunately clickless) aperture ring, which can be locked into "Auto" mode. As with the rest of the VCM lenses, the latter can be used in video mode across Canon's RF camera lineup, but can only be used in stills mode on the relatively recent EOS R1, R5 II, R6 III and R50V.

The RF 14mm F1.4 VCM L fills a hole in Canon's mirrorless lineup, which previously lacked a fast, high-end ultra-wide prime, the kind that's the bread and butter of astro-photographers. Of course, there are plenty of other uses for this focal length, but some of those will have already been covered by lenses like the 10-20mm F4 zoom.

We wouldn't have necessarily guessed that this would be Canon's next choice for a VCM lens, partially because the company has always stressed its focus on making the lenses good for both stills and video. While the company says it has well-controlled breathing, the lens still falls a bit short for the latter use case since its front element makes it difficult to attach filters. Presumably for reasons of space, Canon hasn't used the drop-in filter port included on the fisheye lens launching alongside this one, which would've made at least some affordance for a variable ND. Still, we're glad to see the company finally offering a high-end ultrawide prime for full-frame RF.

The RF 14mm F1.4 VCM L will be available near the end of February and will retail for $2499.

Buy now:

Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review); we do so in good faith, so please don't abuse it.

MELVILLE, N.Y., February 4, 2025 — Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the launch of the RF7-14mm F2.8-3.5 L Fisheye STM zoom lens and the RF14mm F1.4 L VCM prime lens. Building on Canon's legacy of innovative optics, these new RF-mount lenses expand the diverse lineup for professional photographers, videographers, and hybrid creators. The RF7-14mm F2.8-3.5 L Fisheye STM zoom lens introduces the world's widest angle zoom lens1 with a 190° field of view, ideal for dynamic fisheye imagery in sports, landscapes, and virtual reality. The RF14mm F1.4 L VCM prime lens delivers Canon’s brightest ultra-wide1 angle interchangeable lens ever produced, a 14mm lens with a bright f/1.4 aperture, perfect for astro, architecture, and video applications.

Canon RF7-14mm F2.8-3.5 L Fisheye STM zoom lens redefines versatility in ultra-wide angle fisheye imaging. Continuing the heritage of the groundbreaking EF 8-15mm f/4L Fisheye USM, the world's first fisheye zoom lens2, this new RF lens pushes boundaries further for professionals seeking impactful, distorted perspectives. It supports a wide range of unique use cases including sports, landscapes, starscapes, video, and virtual reality.

Key features include:

• Canon's widest single lens3 with a maximum 190° field of view, achieving both circular 190° fisheye at 7mm (wide), and diagonal 180° fisheye at 14mm (telephoto), with its’ 7-14mm zoom range.
• Variable maximum aperture of f/2.8 at 7mm (wide) and f/3.5 at 14mm (telephoto), brighter than its EF predecessor for enhanced low-light performance and background separation.
• Built-in support of Canon EF-to-EOS R mount adapter drop-in filters (Clear, CPL, Variable ND) plus Lens Lock/Limit, Lens Function button and Control Ring.
• High image quality with 5 UD lens elements, 2 replica aspheric lenses, and Air Sphere Coating (ASC) applied in 3 locations to reduce ghosting.
• Leadscrew-type STM focus drive with position sensors for smooth, video-capable operation and reduced focus breathing (0.4% at wide, 1.5% at tele).
• Fisheye images shot with the RF7-14mm F2.8-3.5 L STM zoom lens can be converted using Canon EOS VR Utility for viewing on a PC or head-mounted display. Conversion of 2D VR images is possible with cameras such as: EOS R5C, EOS R5 Mark II, EOS R5, EOS R6 Mark II.
• This lens appeals to professional photographers and videographers seeking dynamic imagery and VR studios desiring a lens for monoscopic shooting, offering wider angle zoom, brighter aperture, and more video capabilities than the EF 8-15mm.

The Canon RF14mm F1.4 L VCM prime lens empowers professional photographers, and hybrid creators with Canon’s brightest ultra-wide-angle interchangeable lens ever produced, an extremely compact and lightweight ultra-wide lens with incredible optical performance. Updating the legacy of the EF 14mm f/2.8L II USM, this lens provides ultra-wide angle views with a fast f/1.4 aperture and controlled distortion and rectilinear characteristics from the center to image. It's designed for pro still photographers capturing landscape, astro, and starscape imagery, as well as architectural and real estate shooters, and videographers and time-lapse creators.

Key features include:

• Canon’s brightest ultra-wide-angle (14mm) interchangeable lens for hybrid Photo / Video use.
• Ultra-wide 14mm prime with f/1.4 aperture for outstanding low-light performance and background separation, brighter aperture than the EF 14mm f/2.8. Dual VCM (Voice Coil Motor) focusing for fast, precise autofocus in photo and video, with reduced focus breathing (3.0%, or 2.3% up to f/20).
• Compact and light weight at 4.4” (L) x 3.0” (D) and just 1.27lbs, providing a similar size, weight and design complimenting the comprehensive F1.4 L-series lens series (RF20mm/24mm/35mm/50mm/85mm F1.4 L VCM lenses).
• Amazing optics for high image quality and sharp rendering of point light sources with Canon’s first Fluorite element in an ultra-wide-angle lens, and featuring BR Optics, 1 UD lens, and 3 GMo aspheric lenses, plus Sub-wavelength coating in 1 location and Air Sphere coating in 2 for minimized ghosting.
• 11-blade aperture for smooth, circular bokeh.
• Iris ring compatible with EOS R1, EOS R5 Mark II, and EOS R6 Mark III cameras; plus Lens Function button and Control Ring.

Availability

The Canon RF7-14mm F2.8-3.5 L Fisheye STM zoom lens and RF14mm F1.4 L VCM prime lens are currently expected to be available by the end of February 2026, for estimated retail prices of $1,899.00 and $2,599.00 respectively4. For more information about Canon's latest innovations and products, please visit www.usa.canon.com.

1 As of February 3, 2026 according to Canon data

2 As of August 23, 2010 according to Canon data

3 Among full-frame lenses manufactured by Canon with a focal length wider than 20mm

4 Specifications, availability and prices are subject to change without notice.

Canon has announced the RF 7-14mm F2.8-3.5 L Fisheye STM, which it says is the first zoom lens of its kind to provide a 190° field of view at its widest setting. The lens also has a few other tricks up its sleeve, including a way to use filters – even variable ones – despite its hemispherical front element.

The lens is made of 16 elements in 11 groups, with two aspheric elements and 5 UD lenses. It has a minimum focusing distance of 0.15m (5.9") across its zoom range, providing up to 0.35x magnification at 14mm. When paired with a full-frame camera, its widest angle offers a circular field of view, which becomes a diagonal fisheye field of view at the 'long' end.

It has a dual-purpose locking / limit switch, which you can use for different purposes, depending on what kind of system you're using it on. If you're shooting on a full-frame camera, you can use it to lock the zoom at 7mm, making sure you maintain the full circular fisheye effect. If you're using it with an APS-C body, however, you can use it to lock the lens in to only use focal lengths that fill the entire frame, starting at around 8.7mm.

To help with this mode, there's a "C" indicator on the zoom ring, which lines up with the limit switch once you've reached that focal length. Of course, there's nothing stopping you from using this limit setting on a full-frame camera, too, but the focal lengths it limits you to won't have any particular significance on a larger sensor.

The lens also has Canon's control ring, a programmable button and an autofocus / manual focus switch.

You can use the slot-in circular polarizer previously offered with Canon's EF/RF adapter, this has a small, geared wheel (shown towards the upper left of this image) to let you rotate the filter inside the lens.

Image: Canon

It weighs 476g (16.8oz) and is 109mm (4.3") long. While its front element makes it impossible to use standard screw-on filters, Canon has borrowed a trick from one of its EF to RF adapters, building in a slot for drop-in filters into the lens. It ships with a clear filter, but it can accept any of the ones used by that adapter, meaning there's already a circular polarizer, gelatin filter holder and even a variable ND filter for it. The circular polarizing and vari ND filters come with a geared wheel that lets you rotate the filters while they're mounted in the lens.

The Canon RF 7-14mm F2.8-3.5 L Fisheye STM will be available later this month at an MSRP of $1899. As you'd expect of an L-series lens, it's weather sealed and comes with both a lens hood and lens pouch.

Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review); we do so in good faith, so please don't abuse it.

MELVILLE, N.Y., February 4, 2025 — Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the launch of the RF7-14mm F2.8-3.5 L Fisheye STM zoom lens and the RF14mm F1.4 L VCM prime lens. Building on Canon's legacy of innovative optics, these new RF-mount lenses expand the diverse lineup for professional photographers, videographers, and hybrid creators. The RF7-14mm F2.8-3.5 L Fisheye STM zoom lens introduces the world's widest angle zoom lens1 with a 190° field of view, ideal for dynamic fisheye imagery in sports, landscapes, and virtual reality. The RF14mm F1.4 L VCM prime lens delivers Canon’s brightest ultra-wide1 angle interchangeable lens ever produced, a 14mm lens with a bright f/1.4 aperture, perfect for astro, architecture, and video applications.

Canon RF7-14mm F2.8-3.5 L Fisheye STM zoom lens redefines versatility in ultra-wide angle fisheye imaging. Continuing the heritage of the groundbreaking EF 8-15mm f/4L Fisheye USM, the world's first fisheye zoom lens2, this new RF lens pushes boundaries further for professionals seeking impactful, distorted perspectives. It supports a wide range of unique use cases including sports, landscapes, starscapes, video, and virtual reality.

Key features include:

• Canon's widest single lens3 with a maximum 190° field of view, achieving both circular 190° fisheye at 7mm (wide), and diagonal 180° fisheye at 14mm (telephoto), with its’ 7-14mm zoom range.
• Variable maximum aperture of f/2.8 at 7mm (wide) and f/3.5 at 14mm (telephoto), brighter than its EF predecessor for enhanced low-light performance and background separation.
• Built-in support of Canon EF-to-EOS R mount adapter drop-in filters (Clear, CPL, Variable ND) plus Lens Lock/Limit, Lens Function button and Control Ring.
• High image quality with 5 UD lens elements, 2 replica aspheric lenses, and Air Sphere Coating (ASC) applied in 3 locations to reduce ghosting.
• Leadscrew-type STM focus drive with position sensors for smooth, video-capable operation and reduced focus breathing (0.4% at wide, 1.5% at tele).
• Fisheye images shot with the RF7-14mm F2.8-3.5 L STM zoom lens can be converted using Canon EOS VR Utility for viewing on a PC or head-mounted display. Conversion of 2D VR images is possible with cameras such as: EOS R5C, EOS R5 Mark II, EOS R5, EOS R6 Mark II.
• This lens appeals to professional photographers and videographers seeking dynamic imagery and VR studios desiring a lens for monoscopic shooting, offering wider angle zoom, brighter aperture, and more video capabilities than the EF 8-15mm.

The Canon RF14mm F1.4 L VCM prime lens empowers professional photographers, and hybrid creators with Canon’s brightest ultra-wide-angle interchangeable lens ever produced, an extremely compact and lightweight ultra-wide lens with incredible optical performance. Updating the legacy of the EF 14mm f/2.8L II USM, this lens provides ultra-wide angle views with a fast f/1.4 aperture and controlled distortion and rectilinear characteristics from the center to image. It's designed for pro still photographers capturing landscape, astro, and starscape imagery, as well as architectural and real estate shooters, and videographers and time-lapse creators.

Key features include:

• Canon’s brightest ultra-wide-angle (14mm) interchangeable lens for hybrid Photo / Video use.
• Ultra-wide 14mm prime with f/1.4 aperture for outstanding low-light performance and background separation, brighter aperture than the EF 14mm f/2.8. Dual VCM (Voice Coil Motor) focusing for fast, precise autofocus in photo and video, with reduced focus breathing (3.0%, or 2.3% up to f/20).
• Compact and light weight at 4.4” (L) x 3.0” (D) and just 1.27lbs, providing a similar size, weight and design complimenting the comprehensive F1.4 L-series lens series (RF20mm/24mm/35mm/50mm/85mm F1.4 L VCM lenses).
• Amazing optics for high image quality and sharp rendering of point light sources with Canon’s first Fluorite element in an ultra-wide-angle lens, and featuring BR Optics, 1 UD lens, and 3 GMo aspheric lenses, plus Sub-wavelength coating in 1 location and Air Sphere coating in 2 for minimized ghosting.
• 11-blade aperture for smooth, circular bokeh.
• Iris ring compatible with EOS R1, EOS R5 Mark II, and EOS R6 Mark III cameras; plus Lens Function button and Control Ring.

Availability

The Canon RF7-14mm F2.8-3.5 L Fisheye STM zoom lens and RF14mm F1.4 L VCM prime lens are currently expected to be available by the end of February 2026, for estimated retail prices of $1,899.00 and $2,599.00 respectively4. For more information about Canon's latest innovations and products, please visit www.usa.canon.com.

1 As of February 3, 2026 according to Canon data

2 As of August 23, 2010 according to Canon data

3 Among full-frame lenses manufactured by Canon with a focal length wider than 20mm

4 Specifications, availability and prices are subject to change without notice.

The gray colorscheme, 30th Anniversary logo, 'diamond' knurling on the control ring around the lens and the price set the Anniversary edition apart from the standard G7 X III.

Image: Canon

Canon is celebrating the 30th anniversary of its PowerShot line of compact cameras with a premium-priced special edition of its hard-to-find G7 X Mark III enthusiast compact.

It features a gray top plate and different knurling on the control ring, along with 30th Anniversary branding on the flash. Other than that, it's identical to the standard G7 X Mark III that's reliably unavailable.

As such it has a 24-100mm equiv. F1.8-2.8 lens in front of a 20MP Type 1 (13.2 x 8.8mm) Stacked CMOS sensor. It also has a clicking control dial around the lens, a dedicated exposure comp dial and a rear screen that flips 90 degrees down and 180 degrees upward, helping it become something of a TikTok favourite, as well as being an excellent enthusiast compact.

Canon North America will also provide a leather PeakDesign wrist strap with the 30th Anniversary logo but this isn't included in all markets.

The Anniversary Edition is described as a limited edition, but the extent of its availability has not been disclosed.

Image: Canon

Canon refers to it as a "limited edition" but declined to specify how many units the edition is limited to. Canon North America told us it will run a lottery for people wanting to buy them from its own website but it'll be left up to retailers to decide how to allocate the units they get into stock.

The special edition G7 X Mark III will be available from April 2025 in unspecified numbers at a cost of $1295. This is a $420 premium over the regular version that isn't formally limited. A company spokesperson said that supply constraints on the standard version "should get better, later in the year."

In the UK, the special edition will cost £860, only a £40 increase over the cost over the standard model. Though you don't get the custom wrist strap. It will go on sale on April 23rd.

European outlets are reporting that the Anniversary edition and all G7 X III's will move over from the NB-13L battery to a new unit called the NB-15L. Batteries with the new designation differ only in that they won't attempt to charge if they've been over-discharged, as a safety feature.

Limited Edition PowerShot G7 X Mark III Camera Available

MELVILLE, N.Y., February 4, 2026 - Canon U.S.A., Inc., a leader in digital imaging solutions, today announced that its parent company, Canon Inc. celebrates that 2026 marks the 30 year anniversary of Canon's PowerShot compact digital camera. To commemorate this anniversary, a limited edition PowerShot G7 X Mark III camera with a limited color body design and 30 year anniversary logo is currently scheduled to be released in April 2026.

Since the launch of the original PowerShot 600 in July 1996, PowerShot has expanded its lineup to meet the diverse needs of its users. The PowerShot line, which was developed with the aim of making it easy for users to enjoy high-quality still images and video, is popular among a wide range of users, from camera beginners to amateurs, and as of February 20261 over 200 PowerShot cameras in the Americas have been released.

Currently, Canon offers a wide range of products tailored to each user's lifestyle, including the G Series, which combines a compact, lightweight body with high image quality and multiple functions, the V Series, which allows users to enjoy full-fledged video recording with ease, and the SX Series, which offers high-magnification zoom.

Canon will continue to contribute to the further development of photographic and imaging culture by pursuing advanced technologies and high expressivity in response to user needs within the PowerShot line.

To celebrate 30 years of PowerShot cameras, a limited edition version of the PowerShot G7 X Mark III camera is scheduled to be available later this year. The 1.0 inch PowerShot G7 X Mark III is a compact digital camera featuring a stacked CMOS sensor with approximately 20.1 million effective pixels2 and a large aperture and bright 4.2 x optical zoom lens for versatile video expression. In addition to still image capture, the "Video Blog" mode, which is specialized for Vlog shooting, enables comfortable video capture. This limited edition model uses a unique color "graphite" for the camera body and the front ring has a diamond knurling to create a design that combines luxury and quality. In addition, the 30 year anniversary logo is printed on the body to create a special feeling suitable for limited edition models.

The PowerShot G7 X Mark III Graphite Kit - PowerShot 30th Anniversary Limited Edition Camera, which will be available with a Limited Edition Peak Design Cuff Wrist Strap and a 32GB SD card, is currently scheduled to be available in April 2026 for an estimated retail price of $1,299.003. For more information about Canon's latest innovations and products, please visit www.usa.canon.com

Product name

PowerShot 600

July 1996

PowerShot A5

April 1998

PowerShot Pro70

November 1998

PowerShot S10

October 1999

PowerShot G1

October 2000

PowerShot S100 DIGITAL ELPH

May 2000

PowerShot SD100

May 2003

PowerShot TX1

March 2007

PowerShot SX100 IS

October 2007

PowerShot E1

September 2008

PowerShot D10

May 2009

PowerShot N

April 2013

PowerShot V10

June 2023

1 Number of models in the United States of America.
2 The total number of pixels is approximately 20.9 million.
3 Pricing, specifications and availability are subject to change without notice. Actual prices are set by individual dealers and may vary.

• JPEG (Exif v2.3)
• Raw (Canon CR3)

• Contrast Detect (sensor)
• Multi-area
• Center
• Selective single-point
• Tracking
• Single
• Continuous
• Touch
• Face Detection
• Live View

• Program
• Shutter priority
• Aperture priority
• Manual

• Self Portrait
• Portrait
• Panning
• Star Portrait
• Star Nightscape
• Star Trails
• Star Time-Lapse Movie
• Handheld Night Scene
• High Dynamic Range
• Fireworks
• Standard Movie
• Short Clip
• Manual Movie
• Time-Lapse Movie
• iFrame Movie

• Single
• Continuous
• Self-timer

• Multi
• Center-weighted
• Spot

• 3840 x 2160 @ 30p, H.264
• 1920 x 1080 @ 120p, H.264
• 1920 x 1080 @ 60p, H.264
• 1920 x 1080 @ 30p, H.264

Canon has announced the 14mm F1.4 VCM L, the latest in its family of similarly-sized F1.4 lenses designed for shooting both stills and videos. With the exception of the company's "Dual" lenses designed for VR, this becomes Canon's widest-angle prime for RF mount.

The lens is made up of 18 elements in 13 groups, with a litany of special glass and coatings: there's a fluorite lens, a UD lens, a Blue Refractive "BR" optical element for correcting chromatic aberration, and three glass-molded aspheric elements, as well as a fluorine coating for anti-fouling and the company's SWC and ASC coating for reducing flare, ghosting and reflections. It can focus on subjects as close as 0.24m (9.4") away, providing up to 0.11x magnification.

Physically, the lens is a similar weight to the rest of Canon's VCM lenses, coming in at 578g (20.4oz). At 112mm (4.4") long, it'll stick out a touch further from the camera than the others, though that's primarily down to its integrated lens hood. Speaking of, the front element is slightly bulbous, meaning the lens can't be used with filters that screw on to the front. It does, however, have a holder for pre-cut gelatin filters on the back of its mount. A special lens cap that clips on is included.

The 14mm F1.4 VCM accepts gelatin filters at the back of the lens. There doesn't appear to be room behind the optics to use the slot-in filter modules used on the co-announced 7-14mm L fisheye lens.

Image: Canon

It has plenty of controls and switches, including a customizable function button, a manual / auto focus switch, Canon's control ring and an (unfortunately clickless) aperture ring, which can be locked into "Auto" mode. As with the rest of the VCM lenses, the latter can be used in video mode across Canon's RF camera lineup, but can only be used in stills mode on the relatively recent EOS R1, R5 II, R6 III and R50V.

The RF 14mm F1.4 VCM L fills a hole in Canon's mirrorless lineup, which previously lacked a fast, high-end ultra-wide prime, the kind that's the bread and butter of astro-photographers. Of course, there are plenty of other uses for this focal length, but some of those will have already been covered by lenses like the 10-20mm F4 zoom.

We wouldn't have necessarily guessed that this would be Canon's next choice for a VCM lens, partially because the company has always stressed its focus on making the lenses good for both stills and video. While the company says it has well-controlled breathing, the lens still falls a bit short for the latter use case since its front element makes it difficult to attach filters. Presumably for reasons of space, Canon hasn't used the drop-in filter port included on the fisheye lens launching alongside this one, which would've made at least some affordance for a variable ND. Still, we're glad to see the company finally offering a high-end ultrawide prime for full-frame RF.

The RF 14mm F1.4 VCM L will be available near the end of February and will retail for $2499.

Buy now:

Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review); we do so in good faith, so please don't abuse it.

MELVILLE, N.Y., February 4, 2025 — Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the launch of the RF7-14mm F2.8-3.5 L Fisheye STM zoom lens and the RF14mm F1.4 L VCM prime lens. Building on Canon's legacy of innovative optics, these new RF-mount lenses expand the diverse lineup for professional photographers, videographers, and hybrid creators. The RF7-14mm F2.8-3.5 L Fisheye STM zoom lens introduces the world's widest angle zoom lens1 with a 190° field of view, ideal for dynamic fisheye imagery in sports, landscapes, and virtual reality. The RF14mm F1.4 L VCM prime lens delivers Canon’s brightest ultra-wide1 angle interchangeable lens ever produced, a 14mm lens with a bright f/1.4 aperture, perfect for astro, architecture, and video applications.

Canon RF7-14mm F2.8-3.5 L Fisheye STM zoom lens redefines versatility in ultra-wide angle fisheye imaging. Continuing the heritage of the groundbreaking EF 8-15mm f/4L Fisheye USM, the world's first fisheye zoom lens2, this new RF lens pushes boundaries further for professionals seeking impactful, distorted perspectives. It supports a wide range of unique use cases including sports, landscapes, starscapes, video, and virtual reality.

Key features include:

• Canon's widest single lens3 with a maximum 190° field of view, achieving both circular 190° fisheye at 7mm (wide), and diagonal 180° fisheye at 14mm (telephoto), with its’ 7-14mm zoom range.
• Variable maximum aperture of f/2.8 at 7mm (wide) and f/3.5 at 14mm (telephoto), brighter than its EF predecessor for enhanced low-light performance and background separation.
• Built-in support of Canon EF-to-EOS R mount adapter drop-in filters (Clear, CPL, Variable ND) plus Lens Lock/Limit, Lens Function button and Control Ring.
• High image quality with 5 UD lens elements, 2 replica aspheric lenses, and Air Sphere Coating (ASC) applied in 3 locations to reduce ghosting.
• Leadscrew-type STM focus drive with position sensors for smooth, video-capable operation and reduced focus breathing (0.4% at wide, 1.5% at tele).
• Fisheye images shot with the RF7-14mm F2.8-3.5 L STM zoom lens can be converted using Canon EOS VR Utility for viewing on a PC or head-mounted display. Conversion of 2D VR images is possible with cameras such as: EOS R5C, EOS R5 Mark II, EOS R5, EOS R6 Mark II.
• This lens appeals to professional photographers and videographers seeking dynamic imagery and VR studios desiring a lens for monoscopic shooting, offering wider angle zoom, brighter aperture, and more video capabilities than the EF 8-15mm.

The Canon RF14mm F1.4 L VCM prime lens empowers professional photographers, and hybrid creators with Canon’s brightest ultra-wide-angle interchangeable lens ever produced, an extremely compact and lightweight ultra-wide lens with incredible optical performance. Updating the legacy of the EF 14mm f/2.8L II USM, this lens provides ultra-wide angle views with a fast f/1.4 aperture and controlled distortion and rectilinear characteristics from the center to image. It's designed for pro still photographers capturing landscape, astro, and starscape imagery, as well as architectural and real estate shooters, and videographers and time-lapse creators.

Key features include:

• Canon’s brightest ultra-wide-angle (14mm) interchangeable lens for hybrid Photo / Video use.
• Ultra-wide 14mm prime with f/1.4 aperture for outstanding low-light performance and background separation, brighter aperture than the EF 14mm f/2.8. Dual VCM (Voice Coil Motor) focusing for fast, precise autofocus in photo and video, with reduced focus breathing (3.0%, or 2.3% up to f/20).
• Compact and light weight at 4.4” (L) x 3.0” (D) and just 1.27lbs, providing a similar size, weight and design complimenting the comprehensive F1.4 L-series lens series (RF20mm/24mm/35mm/50mm/85mm F1.4 L VCM lenses).
• Amazing optics for high image quality and sharp rendering of point light sources with Canon’s first Fluorite element in an ultra-wide-angle lens, and featuring BR Optics, 1 UD lens, and 3 GMo aspheric lenses, plus Sub-wavelength coating in 1 location and Air Sphere coating in 2 for minimized ghosting.
• 11-blade aperture for smooth, circular bokeh.
• Iris ring compatible with EOS R1, EOS R5 Mark II, and EOS R6 Mark III cameras; plus Lens Function button and Control Ring.

Availability

The Canon RF7-14mm F2.8-3.5 L Fisheye STM zoom lens and RF14mm F1.4 L VCM prime lens are currently expected to be available by the end of February 2026, for estimated retail prices of $1,899.00 and $2,599.00 respectively4. For more information about Canon's latest innovations and products, please visit www.usa.canon.com.

1 As of February 3, 2026 according to Canon data

2 As of August 23, 2010 according to Canon data

3 Among full-frame lenses manufactured by Canon with a focal length wider than 20mm

4 Specifications, availability and prices are subject to change without notice.

Canon has announced the RF 7-14mm F2.8-3.5 L Fisheye STM, which it says is the first zoom lens of its kind to provide a 190° field of view at its widest setting. The lens also has a few other tricks up its sleeve, including a way to use filters – even variable ones – despite its hemispherical front element.

The lens is made of 16 elements in 11 groups, with two aspheric elements and 5 UD lenses. It has a minimum focusing distance of 0.15m (5.9") across its zoom range, providing up to 0.35x magnification at 14mm. When paired with a full-frame camera, its widest angle offers a circular field of view, which becomes a diagonal fisheye field of view at the 'long' end.

It has a dual-purpose locking / limit switch, which you can use for different purposes, depending on what kind of system you're using it on. If you're shooting on a full-frame camera, you can use it to lock the zoom at 7mm, making sure you maintain the full circular fisheye effect. If you're using it with an APS-C body, however, you can use it to lock the lens in to only use focal lengths that fill the entire frame, starting at around 8.7mm.

To help with this mode, there's a "C" indicator on the zoom ring, which lines up with the limit switch once you've reached that focal length. Of course, there's nothing stopping you from using this limit setting on a full-frame camera, too, but the focal lengths it limits you to won't have any particular significance on a larger sensor.

The lens also has Canon's control ring, a programmable button and an autofocus / manual focus switch.

You can use the slot-in circular polarizer previously offered with Canon's EF/RF adapter, this has a small, geared wheel (shown towards the upper left of this image) to let you rotate the filter inside the lens.

Image: Canon

It weighs 476g (16.8oz) and is 109mm (4.3") long. While its front element makes it impossible to use standard screw-on filters, Canon has borrowed a trick from one of its EF to RF adapters, building in a slot for drop-in filters into the lens. It ships with a clear filter, but it can accept any of the ones used by that adapter, meaning there's already a circular polarizer, gelatin filter holder and even a variable ND filter for it. The circular polarizing and vari ND filters come with a geared wheel that lets you rotate the filters while they're mounted in the lens.

The Canon RF 7-14mm F2.8-3.5 L Fisheye STM will be available later this month at an MSRP of $1899. As you'd expect of an L-series lens, it's weather sealed and comes with both a lens hood and lens pouch.

Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review); we do so in good faith, so please don't abuse it.

MELVILLE, N.Y., February 4, 2025 — Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the launch of the RF7-14mm F2.8-3.5 L Fisheye STM zoom lens and the RF14mm F1.4 L VCM prime lens. Building on Canon's legacy of innovative optics, these new RF-mount lenses expand the diverse lineup for professional photographers, videographers, and hybrid creators. The RF7-14mm F2.8-3.5 L Fisheye STM zoom lens introduces the world's widest angle zoom lens1 with a 190° field of view, ideal for dynamic fisheye imagery in sports, landscapes, and virtual reality. The RF14mm F1.4 L VCM prime lens delivers Canon’s brightest ultra-wide1 angle interchangeable lens ever produced, a 14mm lens with a bright f/1.4 aperture, perfect for astro, architecture, and video applications.

Canon RF7-14mm F2.8-3.5 L Fisheye STM zoom lens redefines versatility in ultra-wide angle fisheye imaging. Continuing the heritage of the groundbreaking EF 8-15mm f/4L Fisheye USM, the world's first fisheye zoom lens2, this new RF lens pushes boundaries further for professionals seeking impactful, distorted perspectives. It supports a wide range of unique use cases including sports, landscapes, starscapes, video, and virtual reality.

Key features include:

• Canon's widest single lens3 with a maximum 190° field of view, achieving both circular 190° fisheye at 7mm (wide), and diagonal 180° fisheye at 14mm (telephoto), with its’ 7-14mm zoom range.
• Variable maximum aperture of f/2.8 at 7mm (wide) and f/3.5 at 14mm (telephoto), brighter than its EF predecessor for enhanced low-light performance and background separation.
• Built-in support of Canon EF-to-EOS R mount adapter drop-in filters (Clear, CPL, Variable ND) plus Lens Lock/Limit, Lens Function button and Control Ring.
• High image quality with 5 UD lens elements, 2 replica aspheric lenses, and Air Sphere Coating (ASC) applied in 3 locations to reduce ghosting.
• Leadscrew-type STM focus drive with position sensors for smooth, video-capable operation and reduced focus breathing (0.4% at wide, 1.5% at tele).
• Fisheye images shot with the RF7-14mm F2.8-3.5 L STM zoom lens can be converted using Canon EOS VR Utility for viewing on a PC or head-mounted display. Conversion of 2D VR images is possible with cameras such as: EOS R5C, EOS R5 Mark II, EOS R5, EOS R6 Mark II.
• This lens appeals to professional photographers and videographers seeking dynamic imagery and VR studios desiring a lens for monoscopic shooting, offering wider angle zoom, brighter aperture, and more video capabilities than the EF 8-15mm.

The Canon RF14mm F1.4 L VCM prime lens empowers professional photographers, and hybrid creators with Canon’s brightest ultra-wide-angle interchangeable lens ever produced, an extremely compact and lightweight ultra-wide lens with incredible optical performance. Updating the legacy of the EF 14mm f/2.8L II USM, this lens provides ultra-wide angle views with a fast f/1.4 aperture and controlled distortion and rectilinear characteristics from the center to image. It's designed for pro still photographers capturing landscape, astro, and starscape imagery, as well as architectural and real estate shooters, and videographers and time-lapse creators.

Key features include:

• Canon’s brightest ultra-wide-angle (14mm) interchangeable lens for hybrid Photo / Video use.
• Ultra-wide 14mm prime with f/1.4 aperture for outstanding low-light performance and background separation, brighter aperture than the EF 14mm f/2.8. Dual VCM (Voice Coil Motor) focusing for fast, precise autofocus in photo and video, with reduced focus breathing (3.0%, or 2.3% up to f/20).
• Compact and light weight at 4.4” (L) x 3.0” (D) and just 1.27lbs, providing a similar size, weight and design complimenting the comprehensive F1.4 L-series lens series (RF20mm/24mm/35mm/50mm/85mm F1.4 L VCM lenses).
• Amazing optics for high image quality and sharp rendering of point light sources with Canon’s first Fluorite element in an ultra-wide-angle lens, and featuring BR Optics, 1 UD lens, and 3 GMo aspheric lenses, plus Sub-wavelength coating in 1 location and Air Sphere coating in 2 for minimized ghosting.
• 11-blade aperture for smooth, circular bokeh.
• Iris ring compatible with EOS R1, EOS R5 Mark II, and EOS R6 Mark III cameras; plus Lens Function button and Control Ring.

Availability

The Canon RF7-14mm F2.8-3.5 L Fisheye STM zoom lens and RF14mm F1.4 L VCM prime lens are currently expected to be available by the end of February 2026, for estimated retail prices of $1,899.00 and $2,599.00 respectively4. For more information about Canon's latest innovations and products, please visit www.usa.canon.com.

1 As of February 3, 2026 according to Canon data

2 As of August 23, 2010 according to Canon data

3 Among full-frame lenses manufactured by Canon with a focal length wider than 20mm

4 Specifications, availability and prices are subject to change without notice.

There's a new contender for the US Navy's F/A-XX Next Generation Air Dominance (NCAD) fighter program to replace the F/A-18E/F Super Hornet, and it looks like something out of Batman's hangar thanks to a peculiar triple-fuselage design.

Continue Reading

Category: Military, Technology

Tags: US Navy, Fighter

For anyone who's always eating on the go, you now have another option to manage hot meals while commuting without requiring the use of a microwave or toaster oven.

Continue Reading

Category: Good Thinking, Technology

Tags: Kickstarter, Food technology, Heating, Infra-Red

Inflate all the things. That seems to be the strategy at Bote, a Floridian inflatable watercraft company that's expanded out into inflatable lounge wares, including on-water hammocks, portable furniture and, now, sunshades. The all-new Hangout Shade series creates a perfect day camp on land or pairs with Bote's Hangout Dock floating swim platforms to sailgate the day away atop the water.

Continue Reading

Category: Gear, Outdoors

Tags: Inflatable, Tent, Watercraft, Lounge, Outdoors and Camping, Camping, Boating

Why do electric bikes have to be grossly expensive and overly inaccessible? That seems to be the exact question the folks at Heybike asked. The answer comes in the form of Villain – a compact e-dirt bike priced at just US$1,399 that delivers serious performance.

Continue Reading

Category: Motorcycles, Transport

Tags: ebikes, Electric Motorcycles, urban transport, Sur-Ron, Dirt Bikes, Off-road

If you’ve joined a hybrid meeting from a large boardroom, you'll know what it’s often like: voices echoing, faces blurring together, and the person speaking often ending up just off-screen. Big rooms just don’t translate well to video, and remote participants are often left watching from the margins rather than really being a part of the conversation.

Continue Reading

Category: Technology

Tags: Logitech, Business, Video Conferencing, Video Cameras, Artificial Intelligence

For decades, multiple sclerosis (MS) has been defined primarily by its symptoms, rather than its underlying biology. Now, a new study aims to challenge that approach, presenting evidence that MS may actually follow two distinct biological pathways. It’s a shift that could reshape how clinicians think about diagnoses, disease progression and treatment strategy.

Continue Reading

Category: Brain Health, Body and Mind

Tags: Multiple Sclerosis, Brain, Neurodegenerative conditions, Health, Disease, Diagnose

A muddied construction site in Indonesia during the wet season got revenge on this camera.

Photo: I Beam

In last week's Question of the week, the community didn’t just swap specs or talk wishlists; you traded reports from a diverse set of danger zones in photography. We were amazed by how many cameras managed to survive such incredible disasters. Cameras were flung off boats, buried in mud, run over by construction trucks and even pulled from rice paddy firefights. Yet, amazingly, many of them remained functional with just a bit of cleanup needed to get them going again.

Read on for some of those intense stories that pitted cameras against the wrath of nature.

Bearly There: A bear tried to eat my GoPro. I had it sitting on a fence post along an animal trail attached to a Gorillapod and set the GoPro to take a photo every five seconds. I left it there for a few hours before going back to retrieve it, only to find it on the ground, covered in slimy slobber.

Hike Pics: Early 90s, on our 1st anniversary, my wife and I were down in Savannah, Georgia. I was stepping out of one of the many shops facing the Savannah River. I missed the first step, causing my 80-200mm to flip out of my front-facing fanny pack (that I forgot to zip) and land on the street. I heard glass break. I tossed it and the fanny pack into the garbage can. I NEVER got another fanny pack!

woxx: I was on a beach in Iceland with my Fujifilm GFX 50S and GF45 on a cold spring day with high wind and rough water. They say never turn your back on the water, but I stupidly did. Right then, a wave pushed about a foot of water up, knocking me down onto my hands and knees. The wave completely submerged my GFX 50S in cold Atlantic saltwater.

Dropped Ricoh Caplio R6 survived in sand, but did not survive a second, more disastrous drop.

Photo: ThvdW

RecklessCoding: Over a decade ago, I was doing my mandatory military service. There was this big event, an unveiling of a monument for a dead war hero. The president of my country, ambassadors, generals, etc, were all set to come as they would double the event as a full-on inspection of the guard. I was asked to take photos at the event.

During the president's speech, I thought of getting up on the platform he was standing on to take a nice portrait. I took the first step, and bam, I lost my balance. My camera bag was open, and one of the lenses flew out in front of the president's face and landed somewhere on a bush behind him. Longest second of my life.

The Squirrel Mafia: Back in 2014, I went to Disneyland with the family. I took my 10 MP Sony A200 DSLR. By midday, we got on the Jungle Cruise. I took the camera strap off my neck and took a few photos. Then I put the camera on my lap. When the boat got back to the dock, I thought I had the camera strap on my wrist. As I got up, the camera flew off my lap and fell upside down onto the hard floor of the boat. The camera survived, but the flash mechanism didn't. Had I turned the other way, it would have fallen right into the "river".

Kowa Super 66 was shot dead by a deer rifle due to the owner's frustration at not being able to repair the camera.

Photo: KICK14

deep7: I was out on a horse trek with some friends. We weren't far from base when my Olympus Mju film camera fell out of my backpack. I went back for it once the horses were sorted, to find that an eight-ton horse truck had driven right over it! The camera had a massive crack and didn't function, but pressing the film rewind button made it work. I retrieved the film, completely undamaged. Tough little cameras, no wonder they sold millions of them.

The Point and Shoot Pro: During the days when I was shooting 4/3s cameras, I was talking to a nice older gentleman who had an E-1. He was on one of these Nikon "Mentor" trips, shooting by a slow-running river. A few Canikon fans were there, sort of talking crap about his "inferior" Olympus setup. So he walked over to the river, dropped his camera in, looked at the boys, and said, "Go ahead, do that with your gear".

Vetteran: We took a day trip in Iceland (all 4.5 hours of sunlight in January) to the infamous Reynisfjara "Black Sand Beach" known for sneaker waves. Of course, I was about 100 feet from the surf when a sneaker wave came in. The wave hit my camera bag hard. The result: both of my Leicas, D109 and VLUX Type 114, which were in my Domke camera bag, slipped off my shoulder, and the interior of the bag was water-drenched, ruining both cameras.

Sometimes, putting your camera in harms' way to get the shot works out. Other times it doesn't.

Photo: Mitchell Clark

These tales feel less like minor mishaps and more like war stories from the front lines, with cameras hurled off boats, buried in mud, drowned in surf and even dragged through firefights. Hard lessons learned: trust your straps, respect the weather, zip the bag, spread the tripod legs, and always have a plan for when gravity or water wins.

So many other great stories we couldn't fit in this article are shared in the forums. Thanks to everyone who took the time to write up a fascinating account of your camera accidents.

Keep watch for the next Question of the week every other Wednesday to participate in this series. New questions are posted here on the homepage and in the forums. We can't wait to read and share your stories!

Had a camera destroyed? Click here to share your story!

A muddied construction site in Indonesia during the wet season got revenge on this camera.

Photo: I Beam

In last week's Question of the week, the community didn’t just swap specs or talk wishlists; you traded reports from a diverse set of danger zones in photography. We were amazed by how many cameras managed to survive such incredible disasters. Cameras were flung off boats, buried in mud, run over by construction trucks and even pulled from rice paddy firefights. Yet, amazingly, many of them remained functional with just a bit of cleanup needed to get them going again.

Read on for some of those intense stories that pitted cameras against the wrath of nature.

Bearly There: A bear tried to eat my GoPro. I had it sitting on a fence post along an animal trail attached to a Gorillapod and set the GoPro to take a photo every five seconds. I left it there for a few hours before going back to retrieve it, only to find it on the ground, covered in slimy slobber.

Hike Pics: Early 90s, on our 1st anniversary, my wife and I were down in Savannah, Georgia. I was stepping out of one of the many shops facing the Savannah River. I missed the first step, causing my 80-200mm to flip out of my front-facing fanny pack (that I forgot to zip) and land on the street. I heard glass break. I tossed it and the fanny pack into the garbage can. I NEVER got another fanny pack!

woxx: I was on a beach in Iceland with my Fujifilm GFX 50S and GF45 on a cold spring day with high wind and rough water. They say never turn your back on the water, but I stupidly did. Right then, a wave pushed about a foot of water up, knocking me down onto my hands and knees. The wave completely submerged my GFX 50S in cold Atlantic saltwater.

Dropped Ricoh Caplio R6 survived in sand, but did not survive a second, more disastrous drop.

Photo: ThvdW

RecklessCoding: Over a decade ago, I was doing my mandatory military service. There was this big event, an unveiling of a monument for a dead war hero. The president of my country, ambassadors, generals, etc, were all set to come as they would double the event as a full-on inspection of the guard. I was asked to take photos at the event.

During the president's speech, I thought of getting up on the platform he was standing on to take a nice portrait. I took the first step, and bam, I lost my balance. My camera bag was open, and one of the lenses flew out in front of the president's face and landed somewhere on a bush behind him. Longest second of my life.

The Squirrel Mafia: Back in 2014, I went to Disneyland with the family. I took my 10 MP Sony A200 DSLR. By midday, we got on the Jungle Cruise. I took the camera strap off my neck and took a few photos. Then I put the camera on my lap. When the boat got back to the dock, I thought I had the camera strap on my wrist. As I got up, the camera flew off my lap and fell upside down onto the hard floor of the boat. The camera survived, but the flash mechanism didn't. Had I turned the other way, it would have fallen right into the "river".

Kowa Super 66 was shot dead by a deer rifle due to the owner's frustration at not being able to repair the camera.

Photo: KICK14

deep7: I was out on a horse trek with some friends. We weren't far from base when my Olympus Mju film camera fell out of my backpack. I went back for it once the horses were sorted, to find that an eight-ton horse truck had driven right over it! The camera had a massive crack and didn't function, but pressing the film rewind button made it work. I retrieved the film, completely undamaged. Tough little cameras, no wonder they sold millions of them.

The Point and Shoot Pro: During the days when I was shooting 4/3s cameras, I was talking to a nice older gentleman who had an E-1. He was on one of these Nikon "Mentor" trips, shooting by a slow-running river. A few Canikon fans were there, sort of talking crap about his "inferior" Olympus setup. So he walked over to the river, dropped his camera in, looked at the boys, and said, "Go ahead, do that with your gear".

Vetteran: We took a day trip in Iceland (all 4.5 hours of sunlight in January) to the infamous Reynisfjara "Black Sand Beach" known for sneaker waves. Of course, I was about 100 feet from the surf when a sneaker wave came in. The wave hit my camera bag hard. The result: both of my Leicas, D109 and VLUX Type 114, which were in my Domke camera bag, slipped off my shoulder, and the interior of the bag was water-drenched, ruining both cameras.

Sometimes, putting your camera in harms' way to get the shot works out. Other times it doesn't.

Photo: Mitchell Clark

These tales feel less like minor mishaps and more like war stories from the front lines, with cameras hurled off boats, buried in mud, drowned in surf and even dragged through firefights. Hard lessons learned: trust your straps, respect the weather, zip the bag, spread the tripod legs, and always have a plan for when gravity or water wins.

So many other great stories we couldn't fit in this article are shared in the forums. Thanks to everyone who took the time to write up a fascinating account of your camera accidents.

Keep watch for the next Question of the week every other Wednesday to participate in this series. New questions are posted here on the homepage and in the forums. We can't wait to read and share your stories!

Had a camera destroyed? Click here to share your story!

Electric passenger ferries offer a promising alternative to polluting fossil-fuel guzzlers given the relatively short hops these vessels need to make per trip. However, huge infrastructure costs can be a major stumbling block to widespread deployment. Industry pioneer Candela is aiming to change minds, demonstrating that its foiling e-ferry can go the distance and make use of existing or mobile chargers along the way.

Continue Reading

Category: Marine, Transport

Tags: Candela, Hydrofoil, Electric Boats, Energy-efficient

Although this pocket knife securely hides its blade when not in use, you'll likely find yourself unfolding it just to get another glimpse of the beautiful 67-layer Damascus steel it's made from.

Continue Reading

Category: Knives and Multitools, Gear, Outdoors

Tags: EDC, Knife, Camping, Kickstarter

The British Army is pushing the concept of the Loyal Wingman combat drone into new territory as Project NYX, with the help of seven industry partners, looks to develop a rotary drone that can work in concert with the Apache AH-64E attack helicopter.

Continue Reading

Category: Military, Technology

Tags: British Army, Helicopters, drones

The US Food and Drug Administration has approved a landmark eye drop that uses a combined dose of medication to restore age-related near-sightedness, without the need for surgery, for a longer duration than anything else on the market – and with less side effects.

Continue Reading

Category: Aging Well, Wellness and Healthy Living, Body and Mind

Tags: clinical trials, Eye glasses, Sight, Age-Related, Restorative medicine