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Could this be Panasonic's next compact camera?

Digital Photography Review news -

Image via u/Radeon26

It seems like Panasonic may be working on a new compact camera: the TZ300. Reddit user Radeon26 posted a photo that appears to show the upcoming camera, alongside a specs card that says it has a 20MP Type-1 sensor, a 24-360mm equiv. F3.3-6.4 lens and a macro mode for taking pictures of subjects as close as 3cm (1.2") away.

The image came from a now-private video from a Polish creator, which we were able to watch before it was pulled. It appeared to show an official Panasonic event where the rest of the company's Lumix lineup, as well as other electronics, were being shown off.

While we weren't able to get more information from the video than what's visible in the screenshot, we can probably do some informed speculation, given that the camera's name and design imply that it's a follow-up to the Lumix DC-ZS200/TZ200 from 2018. That camera has the same sensor and lens specs, though is equipped with a microUSB port. It could be that, as with the Lumix DC-ZS99 from last year, the company is releasing a mild update of the camera to add USB-C.

One thing we wouldn't like to see repeated from the DC-ZS99 refresh is the loss of an EVF, though the video being taken down makes it hard to scrub through frame by frame for any hint of one on the TZ300. But, given the sticker next to the camera that says "Embargo Date 24 March 2026," it seems like we won't have to wait that long before there's an official announcement.

Viltrox is back with another "vintage" style flash

Digital Photography Review news -

Image: Viltrox

Viltrox has announced the Vintage Z2 TTL on-camera flash, the third entry in its series of retro-styled accessories. Unlike the Z1 and Z3, this one folds down when not in use, allowing it to be higher off the camera body, avoiding shadows, while not adding much height to your overall setup.

The Z2 is compact and only weighs 52g (1.8oz), despite its built-in battery, which is rechargeable via USB-C. The company says that the battery is good for 700 full-power shots per charge, and at its max setting, the flash puts out 10Ws. It has a guide number of 6, though Viltrox doesn't specify an ISO; we've reached out to Viltrox to ask for clarification.

The flash can fold down to keep a low profile.
Image: Viltrox

Viltrox is making versions of the Z2 for Sony, Fujifilm, Nikon and Canon, with each version being compatible with its respective brand's TTL system. The flash also has a manual mode, controlled by two top-mounted buttons which let you choose from five power levels.

The flash won't be the best pick for rapid-fire shoots, with a recycle time of two seconds, but for those just looking to play around with adding light to their scene, it could be a good option.

The Z2 costs $36, and is available from the company's website.

FAA greenlights eVTOL aircraft operations across the USA

Gizmag news -

Nearly three years after China began certifying next-gen electric "air taxis" for commercial flights, American contenders are still battling red tape with the FAA – but a new accelerator program will get them airborne across the USA this summer.

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Category: Aircraft, Transport

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30-sec iron-jawed strong box camper hammers into next-gen 4x4 camping

Gizmag news -

Australia needs no introduction when it comes to building the world's toughest off-road camping trailers. And perhaps no one brand better exemplifies the nation's work than Track Trailer and its Tvan, a little 'drop trailer that's been domesticating the Outback for over a quarter-century. The jawy little hammerhead camper now rolls out in its sixth iteration, combining the same ultra-rugged galvanized steel underpinnings with a roomier, more comfortable camping pod.

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Category: Camping Trailers, Adventure Vehicles, Outdoors

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'Glass' motors may make for longer-running, higher-performing EVs and drones

Gizmag news -

When you think of glass, you probably picture something fragile and brittle, not a material built for high-stress electromechanical components. However, researchers at Germany's Saarland University are challenging that assumption, using a glass-like metal to significantly improve the efficiency of electric motors.

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Category: Materials, Engineering, Technology

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"I think a lot of people mistake our product as a gadget": Camera Intelligence at CP+

Digital Photography Review news -

Some of the Camera Intelligence team, all holding Cairas. Left: Vik Kumar, COO. Middle: Vishal Kumar, CEO. Right: Liam Donovan, CTO.
Photo: Mitchell Clark

"I think a lot of people mistake our product as a gadget," says Vishal Kumar, CEO of Camera Intelligence, the company behind the Caira, a Micro Four Thirds camera that attaches to the back of an iPhone. "That's the wrong way to think about it," he says. "We're building the full technology stack, we believe, for the future of cameras."

While the company is currently wrapping up its Kickstarter campaign for the Caira, it has much bigger ambitions than selling an accessory that makes your phone a better camera, or even than selling dedicated cameras. Ultimately, it says, it's trying to change how cameras are made, and trying to convince the established camera companies that its tech is the way to photography's next step forward.

What is Caira? The Caira has a Micro Four Thirds mount and an 11MP sensor. It doesn't work standalone – it requires an iPhone and has a corresponding app.
Product photos: Mitchell Clark

While Camera Intelligence's ambitions clearly go beyond its first product, it's worth looking at where they're taking root. If you didn't catch the announcement in October, the Caira mounts to the back of an iPhone using MagSafe and connects to it via Wi-Fi. From there, you get your image preview and can control it using an on-screen interface or via voice.

Its big trick, though, is that it's not just a lens mount and an 11MP Four Thirds quad-Bayer sensor from Sony Semiconductor (think Panasonic GH5S). It also has a Snapdragon processor, which it uses to power its AI autofocus and to make decisions about white balance and exposure. It also handles the processing for the camera's computational multi-shot modes.

"At the moment, it's mainly designed for denoising," says Liam Donovan, Camera Intelligence's CTO. "It's optimized for reducing noise in low light and giving you more dynamic range." He explains that the algorithm, which the company is still working on but is shipping on production cameras, takes up to 17 shots: eight before you press the shutter, one when you press the shutter, and eight after. "There's an algorithm that runs on all of those shots to align them all. It moves the frames about so that they match the central frame, and then blends them together. And one of the hardest bits of the algorithm is making sure that there are no artifacts."

This Photo from the Caira was created by stacking eight frames together. Click here to see the original in HDR.

Caira | OM System 20mm F1.4 | F2.8 | 1/710s | ISO 951

While the multi-shot capabilities are currently implemented as a separate low-light mode, the company is working on expanding what it can do with them. "We're working very hard on making it do super resolution, where you can actually increase the resolution of the images that it produces quite significantly," Donovan says. "Low-light mode is kind of a stepping stone on the way to that, because super resolution is much more difficult than denoising on its own."

The intensity of those algorithms is part of why the camera needs its own processor, despite being attached to a very powerful phone. "It takes quite a lot of time to transfer Raw photos off the camera, and it has to be the full Raws that go into the stacking algorithm," says Donovan. "So that all happens on the camera, and it's enabled by the fact that we have a very powerful smartphone-style processor from Qualcomm in the camera itself, which is pretty novel." He says it's much more powerful than the processors you'd typically find in more traditional cameras.

Influencing

While Camera Intelligence has obviously put a lot of work into the Caira and its predecessor, the Alice Camera, it has its eyes on a bigger prize: convincing other camera companies that this architecture is the way forward. "We're not just in Yokohama for CP+," says Kumar, who spoke to us at the Camera Intelligence booth, where the company is showing off Caira to attendees at the show.

"We're having deeper conversations with some of the camera brands to see if that resonates"

"We have more than a couple of meetings. We believe that the way in which we have gone about building our camera is more akin to how cameras in the future should be built. Because we use the image sensors from traditional mirrorless cameras, but we're using the processor from a smartphone. And that smartphone processor unlocks a whole bunch of things," he says. "So we're having deeper conversations with some of the camera brands to see if that resonates."

It's not just the features like AI-powered voice control, focusing, or exposure, he suggests. The company also wants to be able to implement other AI features, such as large language or image generation models; the current Caira app lets you edit images using Google's Nano Banana model, but it currently has to run in the cloud, rather than locally, and requires a subscription.

It's not all AI, though. "I think it's the full stack," Kumar says. "It's everything from the decisions we made on the electronics, the operating system layer that we've built, which is called Camera Intelligence OS, the image signal processing pipeline that we've built, which is entirely software-based, and can be updated over the air. And then it's also the user interface with the app and the large language model. It's that entire stack that we think is interesting."

In that respect, the Caira is almost a means to an end. "That's the product that we sell at the moment to prove that architecture and infrastructure can actually be robust. And we need to ship these units because it allows us to stress-test the architecture and the units. And it allows us to do those software and hardware improvements. But it's more to it than just a camera that attaches to your phone."

In that vein, Kumar tells us that the Caira is on schedule to start shipping to the 611 people who backed it on Kickstarter last year by the end of March. He also says they triple-tested a batch of 25 from the production line in their office in London to make sure they were ready to go. We have our hands on a pre-production model and have been doing some testing with it, so keep your eyes peeled for further coverage.

Tied to Apple

To start, Kumar says the Caira's target audience is smartphone shooters who want better image quality. "Smartphones, for better or for worse, have automated large parts of the three A's and everything else for almost a decade. And we always tell our users, 'You need to learn basic photographic theory because it will help you take better photos, take better videos, et cetera.' But we're approaching it from the point of view of: 'OK, how can we automate a lot of this complexity so that the UX matches up with the UX that our target customer base is familiar with?' Not something that's like a minefield for them to navigate."

The app lets you get at a level of manual control, letting you manually set aperture, shutter speed, and ISO (though there's currently no affordance for exposure compensation). "We're starting from a point of view of: 'let's automate as much as possible and then give you control,' rather than 'let's give you full control and then automate after.' Because our customers don't really want that."

There's also a hardware benefit; instead of having to build everything themselves at great expense, Camera Intelligence gets to benefit from the phone's display and connectivity. "I think the main reason was just a lack of resources," says Kumar. "So we were building the electronics. We're building the OS layer. We're building the Image Signal Processor. We're also building the actual physical body. So we thought, okay, why don't we just use the iPhone as the interface, as the screen?"

Donovon also points out that the displays on iPhones, which are up to 6.9" and can reach up to 3000 nits of brightness, far outclass those found on traditional camera models. That brightness, along with readily available software libraries, allowed them to easily add gain-map HDR to the camera, with results you can see as soon as you've taken the picture. The feature is similar to what we've seen with the Hasselblad X2D II; while the Sigma BF also pulls a similar trick with its files, you can't actually appreciate the effect with the screen built into the camera.

Kumar notes that Apple has put a lot of resources into ecosystem features like the App Store, APIs and AirDrop. "So it made sense for us to attach to the phone for our V1 and V2."

For us, our entire product relies on the UX being good.

Of course, that implies that there's a chance the company will try to produce a fully-featured standalone camera in the future, but Kumar says it'd take more than just money to make it happen. "I think we can only promise bringing a product like that to fruition when we have more resources. Not just in terms of money in the bank, but team and the right skill sets. Because if you get that wrong... We've seen a few camera brands release Android-based cameras with standalone screens in the last five years. And they didn't quite execute the concept as well as it could have been done, but those camera companies can absorb that because for them it's just experimenting. For us, our entire product relies on the UX being good."

Nikon says it'll fix "manufacturing issue" with some Z5II, Z6III and ZRs

Digital Photography Review news -

When you use DPReview links to buy products, the site may earn a commission. Photo: Mitchell Clark

Nikon says it's discovered a "manufacturing issue" affecting a number of Z5II, Z6III and ZR models. It says the issue may cause the cameras to become inoperable.

A longer version of its statement blames the issue on the use of "parts that do not meet our quality standards."

The company says it's identified the serial number ranges subject to the issue and asked users to check whether their camera is affected. It says it will repair these cameras free of charge, including shipping costs.

The company has not disclosed the specifics of the potential fault, nor the number of cameras affected.

Interestingly, the statements in some regions exclude certain models, with no Z6III built for the European market being affected and only ZR models intended for Canada being impacted. This, and the many posts on this article and in the forums by users saying their cameras aren't in the affected range, suggests a relatively small production period used the faulty parts.

Nikon USA Technical Service Advisory:

We have confirmed a manufacturing issue with certain Z6III, Z5II and ZR cameras which may cause the camera to become inoperable. We have identified a range of serial numbers for the affected products, and Nikon will provide repairs free of charge regardless of the warranty period, including shipping.

We apologize for any inconvenience to our customers.
For more information or to check to see if you have an affected product, please visit this link: nikonusa.com/service-advisories/z-tsa-3-2026

Stop the presses: Fujifilm's Instax Mini 13 adds a timer, arrives alongside space-inspired film

Digital Photography Review news -

Photo: Fujifilm

Fujifilm has announced the latest entry in its Instax lineup, the Instax Mini 13. The new model brings only subtle changes to the table: a redesigned body and the addition of a timer. Fujifilm also announced an update to its Instax Up smartphone app, and a new space-inspired instant film.

As we saw with the last few iterations, the Instax Mini 13 underwent a slight redesign. It still looks similar to the Instax Mini 12, though with some added vertical ridges for a more balloon-like look. Fujifilm also opted for a metallic silver logo on the front of the camera. There's also now a circular timer on the front of the camera, with the option to choose between 2 or 10 seconds. There's also now an indicator light around the front shutter button, presumably to let you know when the timer is about to run out.

Photo: Fujifilm

Functionally, the only change is the addition of dual timers. The camera still offers a close-up mode, auto exposure, automatic flash control and a selfie mirror. It also carries over the Parallax Correction feature introduced on the Mini 12, which aligns the viewfinder with the lens in close-up mode for easier framing. As with previous models, twisting the lens turns the camera on and off and changes to close-up mode.

In addition to the camera, Fujifilm updated its Instax Up app, which is a free smartphone app that allows users to scan and organize their Instax photos. The company says that the new version uses AI to improve scans. It promises better recognition of the image versus the background or any other nonessential content, producing more precise scans.

Lastly, there's also a new Instax Mini film on the block, dubbed Pastel Galaxy. As the name suggests, the film's frame features a pastel-colored galaxy design with scattered stars.

Fujifilm is sticking with pastel colors for its latest Instax Mini. The official color names for the are Dreamy Purple, Lagoon Green, Candy Pink, Frost Blue and Clay White.
Photo: Fujifilm

The Instax Mini 13 will be available in late June 2026 for $94. It comes in pastel purple, blue, pink, green and white. The Pastel Galaxy film will also be available in late June 2026 for $18 per pack.

Joy and Creativity in the Palm of Your Hand: Fujifilm Introduces instax mini 13™ Instant Camera

VALHALLA, N.Y., March 16, 2026 – FUJIFILM North America Corporation, Imaging Division, announced today the introduction of its instax mini 13™ instant camera (mini 13). Following in the footsteps of the popular instax mini 12™ instant camera launched in 2023, mini 13 brings a fun, playful new look and feel with its soft, sculpted shape and a metallic silver logo that accents the front of the camera.

New for mini 13 is the introduction of dual timers, with options for 2 or 10 seconds, giving the photographer the opportunity to be in the shot themselves with their subjects, or for easy hands-free selfies (with the help of the included wedge-shaped angle adjustment accessory). Mini 13’s main features also include Close-Up Mode, Selfie Mirror, and Auto Exposure adjustment capabilities, as well as the Parallax Correction feature, in which the camera’s viewfinder aligns with the lens when using Close-Up Mode, minimizing object shifts to produce a centered photo. Mini 13 also features automatic flash control, which optimizes image quality in bright or low light situations. The lens structure is designed to provide intuitive steps both for powering the camera on/off and for accessing the popular Close-Up Mode with a simple twist of the lens

"Our instax™ mini line of mini instant cameras, smartphone printers, and film represents not only an incredible value for our users, but in many cases, it’s a user’s first foray into analog photography," said Bing Liem, president, Imaging Division, FUJIFILM North America Corporation. "Mini 13 is a perfect fit because experimenting with instant photography – trying out new lighting, poses, or scenes (especially by using the new self-timer feature), are all fantastic ways to express oneself artistically and be a part of your art. We’re looking forward to seeing what our community creates with Mini 13!"

instax UP!™ Smartphone App Update Announced

Along with the introduction of mini 13, the free, downloadable instax™ UP! Smartphone app is debuting new and enhanced features. This app is designed for instax™ users to digitally scan, import, organize, and store their photos in one place, regardless of which instax™ instant film, camera or printer product they use. The updated version brings increased image scanning precision by integrating the use of AI. The overall learning capability of the app has been greatly enhanced so that it can recognize images versus backgrounds or other extraneous content, resulting in cleaner, more precise scans.

New Film Variety Introduced

Pastel Galaxy, the new instax™ mini instant film, will be introduced along with mini 13, featuring a fun cosmic theme complete with sparkly, glossy embellishments, and soothing colors to add a cool vibe to a user’s instax™ photos.

Colors, Pricing, and Availability

Fujifilm’s instax mini 13™ instant camera will be available in Dreamy Purple, Frost Blue, Candy Pink, Lagoon Green, and Clay White. It is expected to be available in or around late June 2026 at a Manufacturer’s Suggested Retail Price of $93.95 USD and $109.99 CAD. The instax™ mini Pastel Galaxy film will be available late June 2026 at a Manufacturer’s Suggested Retail Price of $17.99 USD and $14.99 CAD.

For more information, please visit https://www.instaxus.com/cameras/instax-mini-13.

PSA: remember to sandbag your stands

Digital Photography Review news -

Yikes!
Image: @gupigupigupigupigupigupigupi on Instagram

Sometimes, Instagram can be a source for creative ideas to put your own spin on. Other times, it can give you examples of what not to do. One of the videos that crossed our feed today was the latter: captioned "every photographer's worst nightmare happened to me," it shows a lighting stand with a flash attached crashing to the ground, ruining the photographer's laptop.

View this post on Instagram

A post shared by Артем Орлов | Gupi (@gupigupigupigupigupigupigupi)

Despite the apparent misfortune, the clip actually shows someone getting extremely lucky, as the heavy rig could've easily come down on the photographer or the model they were shooting, which could've resulted in a serious injury or worse. So how do you avoid making the same mistake?

If you look in the comments (and at the photographer's post itself), you'll see a ton of people suggesting the same thing: sandbags or something similar to weigh the stand down. And indeed, that's an excellent place to start. With an overhead lighting setup, I'd probably look to use at least two: one on the leg that's in line with the load and another on a second leg. If the load were super heavy or very far away from the center of the stand, I'd even consider using three, though I'd check my stand's weight limit first.

It also appears that the wheels may not have been locked, given how the stand kicked out when it started falling. If that's the case, they definitely should've been, especially with an overhanging load.

If the weight is sticking out from the stand without a leg under it, it can tip much more easily

There are a few things the photographer in the clip did right, even if they ultimately weren't enough to save the laptop. Ironically, there is, in fact, a sandbag in the video: it's hanging as a counter-balance on the end of the rod. The photographer also appears to have roughly aligned one of the legs and the arm, which is an important step. If the weight is sticking out from the stand without a leg directly under it, it can tip much more easily. Of course, none of that matters if you don't first secure the base of the stand with, say it with me, everyone: sandbags.

Some more sandbag pro tips: if the bag is touching the ground, it's going to be less effective, since some of its weight won't be transferring down through the stand's legs. And if you're using a stand with unequally sized legs, like a C-stand, the biggest, sturdiest and tallest one should be the one sandbagged first, and the one facing the load.

That also generally makes it the one facing the most important thing on the set: the people. That way, if it falls, it falls away from them In the case with the video, though, the photographer should've consulted the stands' manual to see where the manufacturer recommended hanging sandbags from. If there isn't a safe place to do so, they should've used a different stand for an overhead setup.

Have any light stand horror stories (or tips on how to avoid them) of your own? Feel free to share them in the comments or over on our forums. Stay safe out there.

15Lb sandbag: $22 at B&H

Mini Roomba robovac cleans and mops where others can't

Gizmag news -

Just weeks after announcing its restructuring and a new ownership deal with China-based manufacturer Picea, iRobot has announced the launch of a new compact robot vacuum and mop – the Roomba Mini Robot Vacuum and Mop and AutoEmpty Dock (Let's just go with the Roomba Mini from here). This small robot vacuum cleaner has now hit the UK and European markets, demonstrating that iRobot has renewed its focus on the core Roomba business amid its financial woes.

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Category: Around The Home, Consumer Tech, Technology

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Rippling glass facade adds drama to Queensland's new cultural center

Gizmag news -

There's a whole giant structure with remarkable details behind the glass, but we're all really here for this building's striking facade, first and foremost. This is the Glasshouse Theatre, the performance venue unveiled last week by the Queensland Performing Arts Center in the Australian state's capital of Brisbane.

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Category: Architecture, Engineering, Technology

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