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Viltrox 35mm F1.2 Lab for Z mount: sample gallery and impressions

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When you use DPReview links to buy products, the site may earn a commission. Nikon Z8 | Viltrox AF 35mm F1.2 Lab | F5.6 | 1/800 sec | ISO 64
Photo: Mitchell Clark

Late last year, Viltrox announced that it was bringing its 35mm F1.2 Lab lens to Nikon's Z mount. Given that the company pitches its Lab lenses as including "flagship optical design," we're happy we got the opportunity to test one out in a variety of conditions.

Image quality Nikon Z8 | Viltrox AF 35mm F1.2 Lab | F1.8 | 1/125 sec | ISO 64

Wide-open, we found that the 35mm F1.2 Lab has good levels of sharpness in the center, and does a decent job at maintaining that to the edges. It's not quite as sharp as the best F1.2 optics we've seen, but for the price, it's hard to complain about the performance of our copy. Vignetting is also around what we'd expect for an F1.2 lens, almost entirely clearing up around F4.

I find the lens' out-of-focus rendering to be quite pleasing, but at F1.2, the cat's eye effect on the specular highlights outside the center of the frame can be a bit lopsided and uneven in a way that can be distracting if your background only has a few bright lights in it (the effect is less noticable if the bokeh is made up of several light sources blending together). By F2 the bokeh is closer to circular, but past that it becomes a bit more geometric.

F1.2 F1.4 F2 F2.8 F4 F5.6

We found that the lens maintained contrast well, even when shooting with bright backlight, and that it resisted flare in all but the most intense conditions.

If you go looking for chromatic aberration, you'll definitely find some, but it's typically not distracting in all but the most challenging scenarios.

Usability

To start with the elephant on the camera, this is a large, heavy lens. However, that comes with the F1.2 territory, and it's not unduly so; it's actaully lighter than Nikon's own 35mm F1.2 S (though around 23% heavier than Sigma's second-gen 35mm F1.2). While it wouldn't be my first choice as a travel lens, I never felt particularly burdened by it as I carried it around Japan while I was there for CP+.

The Viltrox AF 35mm F1.2 Lab Z isn't big and heavy for a F1.2 lens, but it is still big and heavy. I also don't find the top display to be especially useful or aesthetically pleasing, but your mileage may vary on that.
Photo: Becky O'Bryan

While we don't make it a point to test gear's weather sealing, I did end up shooting in light rain for an hour or two with this lens, and it didn't miss a beat, and has continued to work afterwards with no issues. I'm not saying that you'll definitely get the same results, or that this lens is capable of withstanding any weather, but it did at least hold up well when I got caught in a drizzle.

The control ring is a bit of a mixed bag. It's nice that it can be clicked or declicked, especially for controlling aperture, but the control is inconsistent. Sometimes I would turn the ring one click, and the aperture wouldn't change at all, and I'd have to turn it a few more clicks to get it to go up or down 1/3 of a stop. Sometimes, though, one click was enough. This inconsistency basically put me off using it entirely, though I'd be interested to see if it performs the same way on a Sony body.

It can take several clicks of the control ring to get the aperture to change at all.

The lens's autofocus motors are relatively quick and responsive, though it doesn't quite seem capable of immediately snapping from minimum focus to infinity like other lenses with linear motors we've tested. It's hard to say how much of this is on the camera, though. I also found that my Z8 was hunting for focus or slightly missing it more frequently than I'd expect, based on my experience using it with other first-party or officially licensed lenses.

While the lens was still very usable, this issue was prevalent enough that I checked to make sure there wasn't a firmware update available that might improve it; at the time of writing, there is not, though the company did just release one for the E-mount version of the lens.

Summary

Pictured: my friend ogling the Leica Noctilux M 35mm F1.2 Asph., a lens that costs around $8500 more than the Viltrox. While I'd certainly rather carry the Leica around, I'm not sure I actually liked the images it produced that much more (though the Lab's slightly odd bokeh is highlighted in this picture).

Nikon Z8 | Viltrox 35mm F1.2 Lab | F1.2 | 1/30 sec | ISO 3200

While you can certainly find things to complain about with the images it produces, it's worth remembering that the Viltrox 35mm F1.2 Lab for Z mount costs $1000. That's substantially less than F1.2 lenses typically cost, especially the ones from first-party companies like Nikon. The Nikkor 35mm F1.2 S may have nicer bokeh, sure, but it also costs three times as much, so it had darn well better.

With that said, we'd typically urge anyone thinking about picking up this lens to at least consider how much benefit they really expect to get from the extra 1/3 or 2/3 EV it provides compared to its F1.4 and F1.8 rivals. If you're willing to give up the extra speed, you can get a lens with fewer compromises, and that will be significantly smaller and lighter, a proposition that I personally find very tempting. Many will also be cheaper, too.

If you absolutely need F1.2, this is one of the most affordable ways to get it

However, if you absolutely need F1.2, this is one of the most affordable ways to get it (at least, if you want modern amenities like autofocusing, which, believe me, is very nice to have if you're shooting such a fast lens). And while I've gone over some of my complaints with it, it's still a very competent lens capable of producing great images. It does a lot of things reasonably well, especially given its price.

The final wrinkle is, of course, that Nikon is currently taking legal action against Viltrox, so the future of the company's lenses on Z mount is a bit up in the air at this point. That may be something worth keeping in mind if you're looking at spending what is still a fair chunk of change on this lens.

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Custom R 1300 R celebrates BMW's first superbike race victory

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BMW knocked it out of the park with its versatile R 1300 R naked motorcycle last year, which packaged plenty of power and high-end electronics for street riders and mile munchers alike. Inspired by its historic racing wins from half a century ago, it's now turned that platform into the Superhooligan, a custom power roadster that'll take your breath away.

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Category: Motorcycles, Transport

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Prefabricated retreat pops up in Inner Mongolia’s volcanic landscape

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PLAT ASIA has completed a 1,634-square-meter (17,588-sq-ft) hotel in the Baiyinkulun Steppe of Inner Mongolia, China. Dubbed Volcano-In Hotel of Arrivals, the resort forms part of a wider development within an ancient volcanic field and seeks to combine high-end accommodation with land rehabilitation in a fragile ecosystem.

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Category: Architecture, Technology

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Tiny toy-hauling half-camper is the purest form of two-wheel fun

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One of the latest releases from Australia's Offline Campers, the Ryder LT trailer absolutely screams "Best. Weekend. Ever!" Luckily, it lives life deep in weather-battered canyons and at distant ends of faded tracks, so the only ones that hear it are the crew living said weekend. The lightweight, open-platform LT has a design informed by Offline's ultra-rugged, jawsy squaredrop lineup so it's tough enough to tow anywhere you want to go, carrying along a single side-by-side or up to four dirt bikes and all the most essential parts of base camp.

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Category: Camping Trailers, Adventure Vehicles, Outdoors

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High-potency motor x2 unhinges diabolical inverted hypercar

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Behind any great sports car stands a great motor. So it follows that behind an absolutely insane hypercar stands an equally insane hyper-motor. Or two. That's how it breaks down with the all-new £1 million McMurtry Spéirling, the modern-day fan car that can sprint from standstill to 60 mph faster than virtually any four-wheeled vehicle not specced for Top Fuel drag racing. Beyond nearly 50,000 rpms worth of asphalt-sucking fan power, the Spéirling requires a pair of electric drive motors that measure among the most power-dense out there. And with electrons flying at full bore, the furious single-seater promises to keep igniting the record books into embers and ashes.

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Category: Automotive, Transport

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Harman’s Switch Azure film flips colors for experimental photography

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Photos: Harman Photo / Miles Marie

Harman Photo is keeping the ball rolling on new film, releasing a creative color film called Switch Azure. As the name suggests, the company's latest offering "switches" the colors for a more experimental look.

Switch Azure's color swap results in rendering blues as orange, bright yellows as azure and reds as hues of purple or blue. Harman says that greens are less affected, but even those will shift depending on the original hue. It promises to provide similar results to Lomography's Turquoise film. Sunsets effectively become inverted, skin tones are a bit alien-like and common objects become a bit strange. Those who like realistic, natural colors from their film won't be fans, but for creatives who like to play around with unexpected results, it's an interesting option.

Don't expect normal colors from this film.

Photo: Vitor Lopes Leite / Harman Photo

Adding another layer of complexity is that Harman specifies that the type of scanner used will significantly affect the colors. An example image on the Switch Azure product page shows a scanned sunset photo: the Fuji scan renders a very blue image, while a Noritsu scan produces warmer colors.

Harman's new film is rated at ISO 125, and the company says the film is best used outside while metering for the mid-tones. It's available in 120 format and in a 35mm DX-coded cassette with 36 frames. The film can be processed with standard C41 processing.

Harman Switch Azure film is starting to trickle into stores, and you can use the Harman Photo website to find a location near you. Pricing varies by location, though most are around $13 for 35mm and $12 for 120.

Jeff Bridges unboxing the camera he's been developing is pure joy

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Image: SilverBridges

Sometimes you just need some joy in your life, and, at least for me, watching other people experience joy can be a way to fulfill that need. A recent video of Jeff and Susan Bridges unboxing the first two models of their Widelux-X camera does just that, with Jeff absolutely giddy about what he's seeing. You'll have to head to the Widelux-X website to watch the video, as it is only hosted there, but it's worth a watch if you need some wholesome excitement.

For those unfamiliar, Jeff Bridges is a very big fan of the Widelux, a panoramic, panning-lens film camera that was originally developed in Japan in 1958. A factory fire and other factors ended production roughly 20 years ago, and they are now highly sought-after collector items. Bridges has said that most of the images he creates are with the Widelux, and he's taken some incredible behind-the-scenes shots on movie sets with it.

Image: SilverBridges

Bridges is such a fan of the camera that he decided to recreate it through his SilverBridges company. The team revealed a handmade working prototype in November of last year. Recently, two models were mailed to the Bridges in LA, and the pair unboxed them for a video that is hosted on the Widelux-X website.

It's very evident that Bridges is absolutely ecstatic about the camera, and the pair immediately took some portraits of each other and a selfie. It's fun to see how excited he is, and it's also neat to see additional shots of – and from – the camera. The team hasn't unveiled any new details, but it appears the project is at least moving forward, which is good to see, even if it will be well out of my budget.

Reviewing the first vinyl spinner with a CD player mid-turntable

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Vinyl records have been finding more and more new ears in recent years, and Mixx Audio has a novel turntable to help keep the groove moving – one that also rocks a CD player plonked right in the middle of the platter, as well as flexible connectivity.

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Category: Home Entertainment, Consumer Tech, Technology

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Sleek carbon fiber Mercedes Sprinter portends new breed of camper bus

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An entirely new type of van for an entirely new type of camper van, the Orca from Reiter Engineering sees a bony Mercedes-Benz Sprinter chassis transformed into a high-capacity ultralight transporter that's positively starving for gear, tools, furniture and whatever else you can think to stuff in. This particular take on the cargo van is longer, wider and emptier than any Sprinter that Mercedes builds at its factories while weighing hundreds of pounds less thanks to a svelte carbon fiber shell. It lets drivers carry thousands of pounds of payload without needing a trucking license.

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Category: RVs and Motorhomes, Adventure Vehicles, Outdoors

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Professional finalists showcase long-form storytelling at Sony World Photography Awards

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2026 Sony World Photography Awards Professional Finalists

The World Photography Organization has announced the professional finalists and shortlists for the 2026 Sony World Photography Awards. While the Open competition (for which the 2026 category winners were announced last month) celebrates standout single images, the Professional awards focus on cohesive series that tell a story over multiple frames. The professional finalists offer a counterpoint to the Open winners, revealing how photographers are using image sequences to deepen storytelling beyond what a single photo can achieve.

This year's announcement highlights long-form projects across 10 categories, from Documentary Projects and Portraiture to Landscape and Wildlife & Nature. For the 2026 edition, 30 photographers have been named finalists, and more than 65 others have been shortlisted for series that range from intimate personal narratives to wide-ranging explorations of social and environmental change. The judges evaluated each body of work on its narrative strength, visual consistency and conceptual ambition, rather than on a single standout frame.

Selected images will be exhibited at Somerset House in London from April 17 to May 4, alongside hundreds of images from across all divisions of the World Photography Awards. Category winners and the overall Photographer of the Year, who receives a substantial cash prize and gear from Sony, the sponsor of the competition, will be announced at a ceremony in London on April 16. Work from the Photographer of the Year will also be shown in a solo presentation at next year's exhibition.

We've included a small section of the finalist images below, but you can see all of the finalists and shortlisted images at the contest website.

Architecture & Design

Photographer Name: André Tezza

Image Name: Loja e Mercado Marielen

Year: 2026

Image Description: Named after one of the owner's daughters, this store in Campo Largo is a family-run business integrated into the same building where the family lives, merging domestic space and commercial architecture into a single, everyday structure.

Series Name: Everyday Structures

Series Description: This ongoing project documents small neighbourhood grocery stores on the outskirts of Curitiba, in southern Brazil. These modest structures form an architecture of resistance that persists even as large retail chains reshape the city. Often family-run and linked to domestic spaces, the stores merge work, memory and dwelling into a single building. While the city centre undergoes gentrification, the periphery remains culturally dense and visually vibrant. This series reflects a belief that architectural beauty exists in ordinary, overlooked places.

Copyright: © André Tezza, Brazil, Finalist, Professional Competition, Architecture & Design, Sony World Photography Awards 2026

Creative

Photographer Name: Pablo Ramos

Image Name: Untitled

Year: 2026

Image Description: There is no record of the first disappeared woman in Mexico, but official figures state that 23 per cent of cases correspond to women.

Series Name: The Black Album

Series Description: With more than 130,000 individuals currently reported missing in Mexico, and a new disappearance occurring approximately every 40 minutes, The Black Album transforms archival imagery into a haunting collective portrait of absence, loss, and unresolved grief. Rather than documenting disappearance directly, this photographic essay reinterprets the past to question the future. Through an intervention in a photographic archive, the project constructs a symbolic 'album' of Mexico's disappeared — an unsettling reflection of a country living through a prolonged dark era in which absence has become routine and invisibility systemic.

Copyright: © Pablo Ramos, Mexico, Finalist, Professional Competition, Creative, Sony World Photography Awards 2026

Creative

Photographer Name: Ben Brooks

Image Name: Barson

Year: 2026

Image Description: Carson, California.

Series Name: The Palm, On Piru

Series Description: The Palm, On Piru is a photographic series exploring the spiritual connections and collective identities of rappers from South Los Angeles with Pirus/Bloods gang affiliations. The work focuses on the people and places central to the origins of West Coast hip-hop's G-funk music genre, and California's parallel gang culture, examining the interplay of their environment, community and artistic expression. The series was shot on colour infrared film, with its distinctive red and pink tones creating links between the environment and the artists, members, and families that form the Red side of the cultural divide, and the backbone of West Coast Hip Hop.

Copyright: © Ben Brooks, United Kingdom, Finalist, Professional Competition, Creative, Sony World Photography Awards 2026

Documentary Projects

Photographer Name: Santiago Mesa

Image Name: Untitled

Year: 2026

Image Description: Darwin, a young Venezuelan coca leaf picker (raspachín), rests on freshly harvested coca leaves in Putumayo, Colombia, before they are processed. The raspachíne's work is physically demanding, but the shifts are usually only half a day and are paid in cash. For many migrants, coca harvesting is one of the few reliable sources of income.

Series Name: Under the Shadow of Coca

Series Description: In the southern Colombian department of Putumayo, coca cultivation remains one of the few economic options for rural families in this neglected border region. This project follows farmers and families whose livelihoods depend on an illicit economy shaped by poverty, weak state presence, and armed control, as well as members of Comandos de la Frontera, the armed group that controls the territory and the cocaine trade. While some families try legal alternatives, coca often provides the only stable income. Under the Shadow of Coca shows that many of the local producers are not traffickers, but campesinos (farmers), and that it is usually armed groups who profit from the trade of coca.

Copyright: © Santiago Mesa, Colombia, Finalist, Professional Competition, Documentary Projects, Sony World Photography Awards 2026

Documentary Projects

Photographer Name: Alexandre Bagdassarian

Image Name: Sixteen and a Half

Year: 2026

Image Description: The photograph happened quickly. The flowers, the same colour as the detainee's sneakers and cap, immediately motivated him to pose. Many young people have experienced a similar scenario: drug dealing, then prison. He tells the photographer his story with ease: 'I started at 10 o'clock, in a small park, with a bag. Inside, there was really a big package. A lot of money.'

Series Name: Sixteen and a Half: Eight Months in a Juvenile Prison

Series Description: Over a period of eight months, Alexandre Bagdassarian documented the daily lives of young detainees in one of France's six juvenile prisons, one of the country's least visible institutions. The photographer sought to understand what it means to be young and confronted with prison, not from the perspective of legal texts or institutional discourse, but by observing the trajectories, voices, and bodies of those living this reality. Often relegated to silence or the margins, their stories are rarely told, and when they are, they reach us through a media or political lens, the photographer explains, sometimes 'shaped by security driven ideologies.'

Copyright: © Alexandre Bagdassarian, France, Finalist, Professional Competition, Documentary Projects, Sony World Photography Awards 2026

Environment

Photographer Name: Shane Hynan

Image Name: Beneath | Beofhód

Year: 2026

Image Description: A family footing turf for domestic use. Ticknevin, County Kildare, Ireland.

Series Name: Beneath | Beofhód

Series Description: Beofhód — 'life beneath the sod' in Irish — evokes the primal significance of bogs in Celtic tradition. The series examines the cultural and environmental aspects of bogs in Ireland and contemplates themes of social and environmental justice, topographical mapping and the evolving perception of peatlands in an era of de-industrialisation. Although urgent ecological imperatives have ended large-scale peat extraction, they have also created tension with small-scale harvesting for domestic use, which still persists. Referencing Joseph Beuys' assertion that bogs are 'the liveliest elements in the European landscape' and 'preservers of ancient history,' this work reflects on the endangered status of these habitats in the artist's post-industrial surroundings. In this project, bogs are used as 'a metaphor for Ireland and the Irish psyche, and for local, human and personal exploration of a global issue.'

Copyright: © Shane Hynan, Ireland, Finalist, Professional Competition, Environment, Sony World Photography Awards 2026

Environment

Photographer Name: Matteo Trevisan

Image Name: Untitled

Year: 2026

Image Description: Jinwar is an eco-feminist village founded during the Syrian war as a refuge for women. The village, powered in part by solar energy, was built collectively and inaugurated in 2018. Amal arrived here a year ago and says that 'the relationships among women are beautiful; I love everything here.
I hope to be reborn here, with a clear mind, and to live in peace — here it's possible.'

Series Name: Jinê Land: Where Women Keep the Earth Alive

Series Description: Jinê Land: Where Women Keep the Earth Alive tells the story of women shaping the ecological and social future of Rojava in northeast Syria. In a region that is still recovering from war and fragmentation, women lead the fight for environmental restoration, sustainable agriculture, and community self-governance. Since 2012, Kurdish, Assyrian, Arab, and Armenian communities have self-organised under a model inspired by democratic confederalism, integrating women's liberation and ecology. Women manage schools, cooperatives, health centres, and local councils, ensuring their leadership in both social and ecological spheres. Villages such as Jinwar embody this vision: female-led, sustainable, and resilient, offering a space for education, self-reliance and communal life. Through photography, this project captures the intersection of freedom, ecology, and community, revealing a radical social experiment where women are both the stewards of the land and the architects of a new society.

Copyright: © Matteo Trevisan, Italy, Finalist, Professional Competition, Environment, Sony World Photography Awards 2026

Landscape

Photographer Name: Michael Blann

Image Name: Col du Tourmalet, France

Year: 2026

Image Description: The first mountain climb ever traversed by the Tour de France has earned its mythical status as one of the hardest cycling climbs.

Series Name: Mountain Roads

Series Description: Mountain Roads is a series of photopolymer etchings of iconic European mountain roads. This ongoing project aims to document the greatest cycling roads spanning the Alps, the Pyrenees, the Dolomites, the Picos and the Spanish Islands. It celebrates the permanence of mountains and the feats of engineering and construction required to navigate and build a route through and over these formidable climbs.

Copyright: © Michael Blann, United Kingdom, Finalist, Professional Competition, Landscape, Sony World Photography Awards 2026

Landscape

Photographer Name: Andreas Secci

Image Name: Untitled

Year: 2026

Series Name: The Oyster

Series Description: This series of abstract landscapes depicts oyster farming on the French coast of Normandy and Brittany, where the farms stretch along the entire coastline, shaping the character of the landscape. With a tidal range of up to 12 metres, the oyster beds disappear from view at high tide but are fully exposed at low tide. Yet it is only from a bird's-eye view that the vastness of these abstract landscapes, reminiscent of Roman legions, can be appreciated.

Copyright: © Andreas Secci, Germany, Finalist, Professional Competition, Landscape, Sony World Photography Awards 2026

Perspectives

Photographer Name: Fredrik Lerneryd

Image Name: Untitled

Year: 2026

Image Description: Sheriff Knight (centre), the 'Dancing Cowboy,' leads the line dance during International Cowboy Day.

Series Name: Country Music in Kenya

Series Description: This series was photographed over an 11-month period, with the highlight being the International Cowboy Day festival, in Nairobi, Kenya. The festival drew around 3,000 country music fans to Ngong Racecourse in the final week of July. Country Music has been played on the radio in Kenya since colonial times and the popularity for the genre is growing, with shows being held by various artists in local bars a few times per week.

Copyright: © Fredrik Lerneryd, Sweden, Finalist, Professional Competition, Perspectives, Sony World Photography Awards 2026

Perspectives

Photographer Name: Hayate Kurisu

Image Name: Living Photographs

Year: 2026

Series Name: Living Photographs

Series Description: 'My wife and I lost our child to stillbirth at 18 weeks of pregnancy. In the days leading up to the cremation we spent time together at home, during which time I took many photographs. In contemporary society, photographs are easily shared, generated and consumed, and with the rise of social media and artificial intelligence, the meaning of photography as a medium continues to shift. However, pressing the shutter in front of my child brought a renewed awareness of photography's fundamental qualities — its relationship to time and to the body. These photographs were not taken for the purpose of record or explanation. They are made simply to face the time that undeniably existed in that place. For me, looking at these photographs is an act of reaffirming the sensation of being alive.'

Copyright: © Hayate Kurisu, Japan, Finalist, Professional Competition, Perspectives, Sony World Photography Awards 2026

Portraiture

Photographer Name: Jean-Marc Caimi & Valentina Piccinni

Image Name: The Faithful

Year: 2026

Image Description: A priest distributes communion during Pope Francis's funeral mass. Some 4,000 priests concelebrated the mass for approximately 200,000 mourners. Ritual persisted through the institutional transition, with the Eucharist administered regardless of papal presence.

Series Name: The Faithful

Series Description: Between the death of one pope and the election of the next, crowds gathered in St. Peter's Square, Vatican City, for an event that functions simultaneously as sacred ritual and global spectacle. The photographers explain that pilgrimage took on the traits of fandom, as rosaries, flags and prayer gestures were performed with full awareness of the attendant cameras and media. Individual devotion unfolded 'within a choreography shaped by mass attendance and global broadcast.' The portraits in this series capture that 'doubled consciousness': believers performing acts of faith within a mediated public space, where personal conviction merges with stadium-scale performance.

Copyright: © Jean-Marc Caimi & Valentina Piccinni, Italy, Finalist, Professional Competition, Portraiture, Sony World Photography Awards 2026

Portraiture

Photographer Name: Federico Borella

Image Name: Koryo-Saram

Year: 2026

Image Description: The K-pop group Blue Flame, established in 2023, during a rehearsal in the Bucheon University gym. Bucheon University in Tashkent is a branch campus of a Korean university and has become one of the main meeting points for this scene, bringing together young people from different backgrounds who share the same enthusiasm.

Series Name: Koryo-Saram: How Descendants of Deported USSR Koreans Are Rediscovering Their Roots in Uzbekistan

Series Description: Koryo-saram are the descendants of ethnic Koreans from the former USSR who were forcibly deported to Uzbekistan through Stalin's ethnic cleansing policies. Over time, they became an integral part of Uzbek society, but their connection to Korea gradually faded, and by the 1990s, few could even read or write Korean. Today, most Koryo-saram identify as Uzbek citizens, with only faint traces of Korean cultural heritage remaining. However, a new generation, influenced by the 'Korean Wave,' is rediscovering its roots through music, film, dance and language, particularly in Tashkent, where this revival also includes many young Uzbeks.

Copyright: © Federico Borella, Italy, Finalist, Professional Competition, Portraiture, Sony World Photography Awards 2026

Sports

Photographer Name: Todd Antony

Image Name: Against the Reins

Year: 2026

Image Description: Taken during the same buzkashi match, this series shifts from a strict documentary approach towards an 'emotional truth grounded in real events.'

Series Name: Buzkashi

Series Description: Buzkashi (literally meaning 'goat pulling' in Persian) is the fierce, ancient sport of Tajikistan. It is similar to polo, but there are no teams and no boundaries. The ball is the eviscerated, headless carcass of a goat and the aim is brutally simple: seize it, hold it, break free. The game was born among the nomadic horse cultures of Central Asia, where strength and horsemanship were measures of identity. For centuries, chapandaz (riders) have hurled themselves into this churning mass of hooves and bodies, fighting for honour and a moment of clear sky among the dust.

Copyright: © Todd Antony, New Zealand, Finalist, Professional Competition, Sport, Sony World Photography Awards 2026

Sports

Photographer Name: Morgan Otagburuagu

Image Name: Untitled

Year: 2026

Image Description: Misturah Idowu after training.

Series Name: Beneath the Bridge

Series Description: In the shadowed arch of an underpass in Lagos, Nigeria, far from the gleam of professional rings, a raw and resonant rhythm of ambition pulses. Beneath the Bridge documents a makeshift gym where amateur boxers — boys and girls alike — forge their discipline and dreams with nothing but tyres, rope, water and willpower. The project creates an intimate, visceral portrait of grassroots aspiration, exploring universal themes of resilience, gender equality in traditionally male spaces, and the profound human need to carve a place of purpose from the margins. Photographed in the natural light of the underpass, shadows and hard light sculpt the boxers' bodies, as textures of rust, rope and sweat become central to the narrative. This is not a story about winning or losing, but of preparing; a testament to the unadorned, potent moments where character is built before a single punch is ever thrown.

Copyright: © Morgan Otagburuagu, Nigeria, Finalist, Professional Competition, Sport, Sony World Photography Awards 2026

Still Life

Photographer Name: Daniele Vita

Image Name: Untitled

Year: 2026

Image Description: A pistachio remains encased in its natural husk, left on the fruit beyond its ideal time. The husk has gradually darkened and started to break down, showing wrinkles, irregularities, and the first signs of decay. The contrast between the pale shell and the darkened husk highlights the pistachio's natural transformation, from fresh to weathered by time.

Series Name: The Bronte Pistachio

Series Description: For almost a year, Daniele Vita photographed the pistachios of Bronte, Sicily, from the trees to the harvested nuts. Studying them one by one, he realised that although they seemed alike, each was unique. This experience became a reflection on a society 'that tends to standardise and erase differences', and the photographer set out to capture the individuality of every natural element. In the final stage presented here, the pistachio stops being immediately recognisable and becomes an open image, where anyone can find their own perspective and meaning.

Copyright: © Daniele Vita, Italy, Finalist, Professional Competition, Still Life, Sony World Photography Awards 2026

Still Life

Photographer Name: Vilma Taubo

Image Name: Rubber Duck

Year: 2026

Image Description: Thailand.

Series Name: Talking Without Speaking

Series Description: Talking Without Speaking is a series of photographs of everyday objects that have become symbols of protest. Each of the objects can be connected to a specific historical period, a particular rights struggle or a particular country. Some have been intentionally brought to the streets to support a cause, while others have unexpectedly found their place in the public sphere, revealing their symbolic power over time.

Copyright: © Vilma Taubo, Norway, Finalist, Professional Competition, Still Life, Sony World Photography Awards 2026

Wildlife & Nature

Photographer Name: Wolfgang Duerr

Image Name: 10:01:23

Year: 2026

Image Description: All of the images in WILD were taken with wildlife cameras set up in forests and along rivers in the UNESCO Rhön Biosphere Reserve in Northern Bavaria, Germany. The image titles indicate the time at which it was captured.

Series Name: WILD

Series Description: The photographs in this series were taken by a wildlife camera. Exposures were made when animals activated the camera via motion sensors, in the absence of the photographer and without his intervention. He was responsible for the preparation and follow-up work; installing the wildlife cameras in carefully selected locations and evaluating and processing the images that were generated over a period of months. The finished work is thus a co-production with the wild animals, whose decisive part — the moment the image is created — was not chosen by the photographer.

Copyright: © Wolfgang Duerr, Germany, Finalist, Professional Competition, Wildlife & Nature, Sony World Photography Awards 2026

Wildlife & Nature

Photographer Name: Anita Pouchard Serra

Image Name: Untitled

Year: 2026

Image Description: Passengers in a car watch a capybara eating grass by the side of a road running through the private city. The animals attract attention, and many people stop during the day to take photographs of them.

Series Name: Capybaras at the Forefront of the Dispute and Resistance in Buenos Aires

Series Description: Nordelta is one of the best-known private developments in Buenos Aires, Argentina. It was built on a wetland, an ecosystem in which the land is covered by water, which is the main factor controlling plant and animal life. In recent years, the development's 45,000 upper-class residents have seen numerous capybaras enter the neighbourhood. Social media has been flooded with videos and photographs of the area's original inhabitants in swimming pools, crossing the street, or, more tragically, run over or trapped in drains or sewers. In a little over three years, the capybara population tripled to 1,000, leading the Buenos Aires government to approve population control plans that include selective sterilisation and contraception. At the same time, the presence of capybaras has divided the community, with neighbours arguing for and against the capybaras; for the rights of nature and against uncontrolled urban growth on natural land.

Copyright: © Anita Pouchard Serra, Argentina, Finalist, Professional Competition, Wildlife & Nature, Sony World Photography Awards 2026

Xiaomi's 1,900 HP Vision GT electric hypercar breaks cover, and it's a looker

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There was a time when the name Xiaomi was synonymous with home appliances. That has changed of late, with the Chinese company venturing into the automotive segment with the 217-mph 4-door SU7 – a car that outsold the Tesla Model 3 in China and the YU7 SUV that followed it.

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Category: Automotive, Transport

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What’s in DianeMiller’s bag: From biochemist to night-sky explorer

Digital Photography Review news -

Aerial view somewhere between Yuma and Gila Bend.

Canon EOS 5D Mark III | 135mm | F7.1 | 1/1600 sec | ISO 200
Photo: DianeMiller

DPReview community member DianeMiller (Diane D. Miller) is an active participant in our wider community and a talented self-taught photographer. Although she earned a Ph.D. in biochemistry and pursued a career in science, she always had a love of photography.

Her life took a different turn early on, though, after meeting her future husband, a pilot and adventurer. For their honeymoon, the couple flew around the world in a single-engine Beechcraft Bonanza – the first around-the-world flight not intended to set a record.

After years spent on aviation adventures and raising two daughters, Diane returned to working on her photography. Today, she is rooted primarily in nature, from studies close to home to expansive and beautiful landscapes and stills of the quiet night skies.

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Meet DianeMiller (Diane D. Miller)

Home base: Santa Rosa, CA, USA

Favorite camera and lens: Canon R5 with the Canon RF 100-500mm – her favorite for its remarkable, handholdable reach.

Typical photo scenes: Nature close to home, birds, flowers, landscapes, and, increasingly, astrophotography including the Milky Way, deep-sky objects and celestial events.

“I've been playing with cameras since I was 10 or younger. I love being able to capture things I see and things beyond what I can see," she says.

Diane describes herself as a self-taught photographer who prefers to work alone or with a very small group of like-minded people. While she has traveled around the globe, she has found deep satisfaction in exploring familiar places, discovering beauty in nearby wetlands and in mystical views of the night sky.

Over the last decade or so, she has become much more serious about astrophotography, building a deep-sky setup while also experimenting with wide-angle Milky Way scenes. Recently, she developed a method of using astrophotography software to overcome limitations of shooting with regular cameras – a tutorial she is publishing on her website.

M31, the Andromeda Galaxy, shot with my astro rig.

Photo: DianeMiller

What's in Diane's bag

DianeMiler's camera bag.

Photo: DianeMiller

What other gear makes a difference?

"For my birding expeditions, I find the Spider hip belt holster and Olympus EE-1 dot sight for fast aiming at extreme focal lengths especially useful," she says.

Diane admits that her bag is usually packed to capacity. “Maybe I'm too ‘focused’ on photography and I can barely lift the bag as configured for most shoots, so not much else goes along except water.”

Recently fledged Western Bluebird.

Canon EOS R5 | 726mm | F13
Photo: DianeMiller

How do you adapt your setup to outdoor challenges?

Diane frequently repacks and reconfigures her bag depending on whether she is heading out to capture birds, flowers, macro shots or landscapes. For wildlife, the long lens and teleconverters dominate. For flowers and insects, macro tools and specialized lighting take priority. For landscapes and night skies, wide-angle lenses or her full astrophotography rig come along.

“It depends on the season and on what I am doing," she says. "If I travel alone like an explorer, I reduce everything to the minimum. If I have to photograph an organized event and stay in one place for three or four hours, I bring what makes the wait comfortable."

"My strength is that I always have the right focal length ready. The cameras are set in manual mode, usually with the aperture wide open. If necessary, I close it, but I like to isolate the subject and react quickly.”

Laguna de Santa Rosa on a foggy morning.

Canon EOS 5D Mark III | 170mm | F10 | 1/320 sec | ISO 200
Photo: DianeMiller

Diane's advice for other photographers

Diane’s philosophy is simple and ongoing: “The paint never dries.” She embraces photography as a lifelong process of refinement, curiosity and discovery. She also jokes that she loves her “dimroom, Lightroom and Photoshop!” where the creative process continues after the shutter is pressed.

If you’d like to share your photography setup, tell us about your main camera, lens choices, key settings and photography strategies. You could be featured next!

Editor's note: This article continues a series, 'What's in your bag?', highlighting DPReview community members, their photography and the gear they depend on. Would you like to be featured in a future installment? Tell us a bit about yourself and your photography by filling out this form. If you're selected for a feature, we'll be in touch with next steps.

Submit your story to be featured in 'What's in your bag?'

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